If it accomplished nothing else, Mr. & Mrs. Smith would easily nail a primal attraction for going to the movies: Getting to spend two hours staring at people who are infinitely better-looking than we are.
If you've seen Some Like It Hot, nothing that happens in the Quad City Music Guild's Sugar will come as a surprise; this 1973 musical-comedy is almost slavishly faithful to the 1959 Billy Wilder film that inspired it. But it does feature a curlicue that makes me giggle: the tap-dancing gangsters.
Few stage sights are as thrilling as a cast of genuinely hungry actors, especially when they have genuinely meaty material to tear into. My Verona Productions' Closer is a biting, at times painful, piece, yet it's suffused with joy; the actors seem to be relishing the opportunity to verbally claw, scrape, and expose (often self-inflicted) wounds.
At Gumbo Ya Ya, the food might be hot, but the music is always hotter. (Quite a feat for an event serving Cajun sausage and spicy boiled shrimp.) That truism will certainly apply to this weekend's annual Mardi Gras in the District festival, at which nine bands will deliver crowd-pleasing performances of Cajun, zydeco, blues, funk, rock, soul, hip-hop, R&B, and reggae music.
When searching for a new necklace or a piece to hang in the living room, a state park might not be the first place you'd think to shop. Yet the Black Hawk State Historical Site will soon be teeming with artwork, as the Left Bank Art League presents its 49th annual Fine Art Fair from 10 a.
Moss Hart & George S. Kaufman's 1938 comedy You Can't Take It with You is so sturdy and reliably entertaining that it doesn't take much more than a mediocre version of it to make audiences happy. The current production at the Richmond Hill Barn Theatre is significantly better than mediocre - vibrantly played and almost consistently pleasurable - but what's completely surprising is the cleverness and skill behind Vicki Deusinger's staging of it.
"This is a true story," insisted Bill Engvall during a recent phone interview. "I was on a plane, and the flight attendant was asking about people who needed a wheelchair. And she actually said to us, 'If you requested a wheelchair, please walk up front and . .. .'" The comedian laughs. "People never cease to amuse me."
From first scene to last, New Ground Theatre's production of Boston Marriage is an almost total misreading of David Mamet's 1999 work. As usual, New Ground's decision to tackle offbeat and challenging material is commendable, but its latest offering is so wrong-headed in execution that it makes you understand why audiences often shy away from the offbeat and challenging.
Most of us have had the experience of running into someone who went to school with us years earlier. Very little, if anything, usually comes of those chance encounters. But for local artists Nicole Miller and Justin Elvidge, both 22, a surprise meeting has led, a mere four months later, to a shared exhibit of oil paintings at the Peanut Gallery in Rock Island, the first local showing for both Quad Citians.
I've spent a lot of time - both in print and in person - making fun of George Lucas' Star Wars prequels, and for a reason: It's pretty easy. The prosaic (and endless) exposition, the flat staging, the unspeakable dialogue, the ba-dum-ching! clunkiness of the comedy, the videogame-inspired mayhem, Jar Jar Binks ... there's practically no end of topics worth goofing on.
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