As the adage goes, "Dying is easy; comedy is hard." Noises Off sure is. Saying that Michael Frayn's farce requires precision is like saying a fish requires water or Jennifer Lopez requires publicity; the show's very survival rests on the hairbreadth timing of its repartee and comic business. Frayn's work is so tightly structured and its momentum so dizzying that the slightest inappropriate pause can completely knock you out of the show's rhythm, and so I applaud Ghostlight Theatre for not only for tackling the script but often triumphing with it. Dying is easy, comedy is hard, and Noises Off is freakin' hard.

The Nerd at Playcrafters Barn Theatre Through September 25

As the lights come up on Playcrafters' production of Larry Shue's The Nerd, we find ourselves in the Terre Haute, Indiana, living room of architect Willum Cubbert (Josh Kahn), whose pseudo-girlfriend, Tansy (Jessica Nicol), and drama-critic friend, Axel (Chris White), are throwing him a surprise birthday party. For about 20 minutes, the three characters chat, and all the while, the light from the evening sky - seen through Willum's living-room windows in the rear of the stage - is going through the most amazing transformation. The reddish-pink hues from outside begin to subtly shift to a lovely magenta, and within time, they will have morphed into a deep, midnight blue with a hint of purple; it's a beautiful, subtle effect, well-achieved by designer Jennifer Kingry.

Gilbert Gottfried in The AristocratsTHE ARISTOCRATS

For those who don't yet know, The Aristocrats is a literal one-joke movie. In Paul Provenza's documentary, nearly a hundred comedians re-tell an old vaudeville gag about a group of performers whose act consists of them performing the filthiest, most repellant stage atrocities imaginable - some immoral, most illegal, all unimaginable (or so it would seem). The performers' stage moniker? The Aristocrats.

For anyone who has spent time working to ensure that their garden or yard or home landscaping looked not only presentable but beautfiul, certain questions routinely pop up: When should I plant seeds for my flower bed, and is that the best time to plant seeds for my vegetable garden, too? How do I remove that tree stump from my backyard without removing my leg in the process? What's the deal with those damned weeds growing back in the same place year after year, and how do I make them stop? Answers to these and other outdoor questions will finally come via this weekend's Two State Forestry Conference & Expo.

Heath Ledger and Matt Damon in The Brothers GrimmTHE BROTHERS GRIMM

Fairy tales, at their core, exert a powerful emotional pull, and at rare moments in Terry Gilliam's The Brothers Grimm, the director finds a visual equivalent to their hypnotic, wicked appeal. In this typically unclassifiable Gilliam excursion, the first glimpse of Little Red Hiding Hood traipsing through the gloomy forest is enough to give any adult viewer a shiver. Gilliam frames her entrance, and the later arrival of Hansel and Gretel, with ominous portent, the colors - that cape and hood especially - are enticing, and the forest sets have a creepy, storybook elegance. For the briefest of moments, you're a kid again, enraptured by the haunting, suggestive simplicity of these stories; our first sightings of Little Red, Hansel, and Gretel bring with them a spark of tingly joy.

R.I.P. B&V

Everyone has movies they love, but you don't often have loving feelings toward movie houses.

For students at Davenport's St. Ambrose University, the end of summer brings with it the usual. Buying books. Attending classes. Preparing for Urinetown.

Rachel McAdams and Cillian Murphy in Red EyeRED EYE

Wes Craven's Red Eye is the beneficiary of an original, intriguing leading character and, in Rachel McAdams, exactly the right performer to play her. A good thing, too, because the movie doesn't have a lot else going for it.

Steve Carell, Paul Rudd, Romany Malco, and Seth Rogen in The 40-Year-Old VirginTHE 40-YEAR-OLD VIRGIN

Considering the film's title, this might sound ludicrous. But in The 40-Year-Old Virgin, Steve Carell, playing our hapless hero Andrew, gives what might become a legendary comedic screen performance.

Chris Jansen, the artistic director of the New Ground Theatre, is a self-described "Junior Theatre kid," and has the pictures to prove it. She thinks.

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