BRIDGET JONES'S DIARY

A terrific leading character can atone for a lot of wrongs in a film, and there might be no better proof of that thesis than Bridget Jones's Diary, Sharon Maguire's adaptation of Helen Fielding's incredibly popular novel. Our heroine, a 32-year-old British woman who works a dead-end publishing job, is a completely realistic type we almost never see in movies: a chain-smoking, wine-slurping, slightly overweight, unsatisfied-in-relationships flirt who wants desperately to better herself but doesn't have the motivation or discipline to do so. Flawed as she is, she's intensely endearing, and as perfectly played by Renée Zellweger, she's a magically comic creation, even more wonderful than Zellweger's previous incarnations of Dorothy Boyd and Nurse Betty. That the moviemakers spend the film's running length putting her in one humiliating situation after another, and that she's trapped in a predictable love triangle between a cad and a sweetie, aren't to be held against her; Bridget Jones, and Zellweger herself, triumph over their circumstances, creating a totally enjoyable cinematic work, flaws and all.

THE BROTHERS

The Brothers, the comedy-drama debut from writer-director Gary Hardwick, is a good-and-bad movie in which the good parts far surpass the bad, and that alone makes it one of the finer movies of the year.

From the "Isn't it ironic?" department: After the 1999 movie year, which was widely considered to be one of film's best in decades, the Academy of Motion Picture Arts and Scienes produced its weakest Best Picture slate in ages, while this year, generally considered to be a nadir for film in general, the Academy has chosen its finest roster of Best Picture candidates since at least 1993.

THE MEXICAN

We've had the evidence for years, but I think it's time we made it official: Brad Pitt is a gonzo supporting player stuck in a (rather dull) leading man's body. Recently, he portrayed the heavily-accented Irish boxer in Snatch, giving the film a jolt of pure, comedic adrenalin - his screen time was brief, but he was the most entertaining performer in the movie - and when he appeared as a supporting actor in 12 Monkeys, Thelma & Louise, and True Romance (probably his best, and easily his funniest, screen work), his performances were well-calibrated and often inspired. Pitt can display a true flair for off-kilter comedy; it's telling that his most enjoyable lead performance has come from the darkly comic cult film Fight Club, where his Tyler Durden was clearly one of Pitt's nutjob character roles gone berserk.