Robin Williams in One Hour PhotoONE HOUR PHOTO

One Hour Photo has a simple, juicy premise that's just right for an art-film creepshow. The meek, late-middle-aged nebbish Sy Parrish (Robin Williams) has, for 11 years, run the photo lab at the California discount store Sav-Mart and has become inordinately fond of his regular customers, the Wilsons.

James Franco and Robert De Niro in City by the SeaCITY BY THE SEA

If Robert De Niro ever decides to quit acting, I hope he receives retirement benefits from the NYPD. In Michael Caton-Jones's police melodrama City by the Sea, De Niro plays Vincent LaMarca, who is, by rough estimate, the 7,000th cop character he has played onscreen in the past two decades.

Jennifer Aniston and Jake Gyllenhaal in The Good GirlTHE GOOD GIRL

The Good Girl is the most fun I've had at the movies since Spider-Man and, with the possible exception of Y tu mama tambien, the finest movie I've seen all year, and I can't begin to describe how shocking that is.

Al Pacino and Rachel Roberts in SimoneSIMONE

Andrew Niccol appears to be obsessed with a theme that, in all likelihood, he can spend his entire filmmaking career exploring: What is the nature of reality? In 1997's vastly underrated Gattaca, which Niccol wrote and directed, he investigated the perils of genetic engineering, as his biologically "natural" protagonist Vincent assumed the identity of the genetically "perfect" Jerome to further his space-exploration career; the film, which on paper might seem a cerebral sci-fi comedy of mistaken identity, dramatized what it meant to be "real" in an unreal world, and was a heady, thrilling experience.

ABOUT A BOY - As bland and forgettable as its title. Paul and Chris Weitz's mostly lifeless work begins well, but you can feel the sickly sentimentality creeping up on you, and you just know you're going to have to endure a series of Life Lessons and the grueling prospect of watching Hugh Grant - an enjoyably pathetic sloth - better himself as a human being. Like all sitcoms posing as movies, everything rough-edged is ignored to ensure Happy Endings for all.

Asia Argento and Vin Diesel in XXXXXX

Put simply, Vin Diesel's action thriller XXX, directed by The Fast and the Furious helmer, Rob Cohen, succeeds competently at its intentions, which are to make a loud, ass-kicking, summertime blockbuster and kickstart a new, James-Bond-playing-extreme-sports movie franchise.

Rory Culkin, Mel Gibson, and Abigail Breslin in SignsSIGNS

M. Night Shyamalan is a clever, clever man. I don't necessarily mean that as a compliment, though, as he's clever in a way that's completely vexing to film critics, or at least, to critics who remain underwhelmed by his output.

Beyonce Knowles and Mike Myers in Austin Powers in GoldmemberAUSTIN POWERS IN GOLDMEMBER

If the surprise hasn't already been spoiled for you, let it be said that the pre-credits cameos in Austin Powers in Goldmember are practically worth the price of admission.

Harrison Ford in K-19: The WidowmakerK-19: THE WIDOWMAKER

Most movie trailers make the film in question look much better than it actually is; the previews for K-19: The Widowmaker don't give any indication how good it actually is.

The Road to PerditionTHE ROAD TO PERDITION

Viewing The Road to Perdition, I didn't much care how the plot worked itself out or how the characters interacted; I just wanted to watch the rain land on Tom Hanks' and Paul Newman's fedoras.

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