Luckily, the future of chamber music will fall on the broad shoulders of the Sauer family and its colleagues. With the Quad City Symphony Orchestra eliminating its chamber series for the 2003-4 season, music fans will have reduced concert offerings.
William Walton’s classic oratorio Belshazzar’s Feast is a monument in the British musical canon and a perfect example of the British fascination with large-scale choral music. Feast is a synthesis of massive orchestral composition (the work calls for double brass) and towering choral forces.
After a one-month absence to allow for a guest conductor, Quad City Symphony Orchestra (QCSO) Music Director Donald Schleicher returned to the podium to conduct a concert of extremes on March 2: silly juxtaposed with the serious, German romanticism alongside “contemporary” American music, and program music leading into pure music.
Over the past few years, there have been times when the Quad City Symphony Orchestra (QCSO) has dazzled the audience and received well-deserved praise and ovation. The conductor and orchestra, working so closely, produce a fluid, uncompromised musical revelation.
Although this is the third year for the Quad City Symphony Orchestra (QCSO) series of chamber-music concerts, I had never been to the Outing Club performance. When I was finally able to attend the concert this year, I was surprised at what I found.
The Quad City Symphony Orchestra (QCSO) performance on Saturday, December 7, demonstrated the sharp contrasts within classical music. From rugged romanticism to stark minimalism, the concert led by Conductor and Musical Director Donald Schleicher was balanced, and the performance was well formed, as the orchestra played pieces by Kearnis, Mozart, Respighi, and the Paganini of the piano, Franz Liszt.
The Quad City Symphony Orchestra and Festival of Trees Holiday Pops Concert on November 23 was not a concert for orchestral-music purists, but it is an integral part of the symphony season and essential for increasing the local symphonic- and classical-music base.
The November 2 Quad City Symphony Orchestra (QCSO) concert had it all: a dazzling North American premiere, an audience favorite, and an emotional roller coaster. And aside from isolated errors, the performance was technically sound.
The first Quad City Symphony Orchestra (QCSO) chamber concert of the season was an atmospheric start to what sounds like another excellent sub-season. With works by Brahms, American composer Arthur Foote, and Bach, the program offered something for everyone and above-average performances by the symphony’s best players.
Though many people were probably filled with anticipation for the Quad City Symphony Orchestra season opener this past weekend, the Saturday concert turned out to be a mixed bag. In an all-Beethoven program, the first half featured an unfortunate and grim Symphony No.
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