06
Dec
2006
THE NATIVITY STORY
After more than an hour of noble attempts and unfortunate - though unembarrassing - failings, director Catherine Harwicke, in her biblical tale of The Nativity Story, finally lands upon the style she appears to have been aiming for all along. Mary (Keisha Castle-Hughes) has just given birth to Jesus, and as she lies in the manger alongside her husband, Joseph (Oscar Isaac), a blinding shaft of light descends from the heavens and lands directly on the holy family, creating a tableaux that is at once instantly familiar and freshly moving.
FOR YOUR CONSIDERATION
"The cast hates me," says local performer Andy Davis during a recent rehearsal break. "Our first cast meeting, they were introducing us all and I said, 'Yeah, I'm playing Potter ... ,' and everybody booed."
"I'm the mom of the theatre department," says St. Ambrose designer Dianne Dye during an afternoon spent in the university's costume shop. "If people have a problem, or when they just want to gossip, here's the place to come."
STRANGER THAN FICTION
Friday's performance of Irving Berlin's White Christmas at the Circa '21 Dinner Playhouse was so joyous, so committed to giving audiences a good time, that it easily transcended its opening-night technical gaffes. Hell, the sound system could've exploded and the set could've come crashing down - knock knock knock - and the cast still would have sold the show.
James McLure's Lone Star, currently being produced at Moline's Black Hawk College, is one of the most delightful theatrical surprises of 2006. Set in the mid-'70s outside a small-town bar in Texas, McLure's one-act is an extended conversation between two brothers - Roy (Damian Cassini), newly returned from Vietnam with emotional baggage and a serious drinking problem, and his sweetly obtuse younger sibling Ray (Jeremy Kelly), whose "football knee" kept him out of service. Over the course of an hour, the brothers bicker, bond, and briefly converse with the town dweeb, Cletis (Nicholas Waldbusser), and all throughout, Lone Star beers are endlessly consumed; by the play's end, Roy will barely be able to stand.
BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN
A busier-than-usual weekend dictated that I catch a final dress rehearsal for the Playcrafters Barn Theatre's Our Town on Monday, and at the well-attended preview, I found myself seated behind two couples who chuckled while perusing the program - their amusement stemmed from realizing that Thornton Wilder's play would be produced in three acts, and, as one of the women laughed, "We'll be here past our bedtime."
THE BRIDE WORE BLOOD
