While Cocaine Beat is both less stupid that it could have been and less stupid than it should have been, I had a surprisingly agreeable time – and so did a high-schooler friend of mine, and my 50-something bestie, and my octogenarian mother.

Of the three showcases to date for Paul Rudd's alternately diminutive and behemoth superhero, Ant-Man & the Wasp: Quantumania is the one I dislike the least. As I see it, credit for that is due to precisely two elements. Compared to Ant-Man & the Wasp, this new adventure has roughly 75-percent more Michelle Pfeiffer; and compared to the 2018 sequel and 2015's original Ant-Man, it has 100-percent more Jonathan Majors.

Over their past year-plus of productions, the Haus of Ruckus team of T. Green and Calvin Vo have treated audiences to no end of surprises: blends of classical-Greek and disco stylings; mixed martial arts competitions peppered with video-game sound effects and glow-in-the-dark puppets; a talking cactus. But with their latest comedy Are We There Yeti?, running March 3 through 12, Green and Vo have made a most unexpected presentational switch: They've gone educational. Sort of.

In a recent Vulture interview, Steven Soderbergh, director of 2012's original Magic Mike, stated that until he saw and adored the movie's London-stage-revue version in 2018, he found “no compelling reason to make a third film.” So now we have the Soderbergh-helmed Magic Mike's Last Dance … and this sequel feels like it still has no compelling reason to exist.

A doc can get away with an unexciting, even bland presentation so long as the story it tells captures and holds your interest, and directors Mila Aung-Thwin's and Daniel Cross' 2014 documentary Atanasoff: Father of the Computer kept me interested, and quite invested, through the whole of its too-short 45 minutes.

Among the quartet of living legends who star in 80 for Brady, Jane Fonda plays a romance-hungry author of steamy, football-themed fan fiction. Director Kyle Marvin's buddy comedy could hardly be called steamy, but it, too, is football-themed fan fiction, and about as winning as movies of its type ever get.

With the professional company's annual, yet all-new, presentation of Love Stories being staged at Davenport's Outing Club on February 10 and 11 – audiences for the 2023 edition will be treated to a little bit of everything: classical dance, modern dance, lyrical dance; Bach, Debussy, Sonny Rollins with the Modern Jazz Quartet. But while the performances come with either a served dinner or desserts available for purchase, Artistic Director Courtney Lyon has has another food reference for what patrons can expect: “It's kind of like a buffet,” she says. “You get to try to a lot of different things.”

The January 24 reveal of this year's Oscar nominees brought with it the usual amount of pleasures, disappointments, and surprises, as well as our annual reminder that not every movie voters get to see is one Quad Citians have been able to see. Two of the stragglers, however, managed to secure local releases this past weekend. Another contender has been available for rental and purchase for weeks, but found itself as perhaps the title that Academy Awards completists wanted/needed to catch up with above all others.

While the announcement itself provided a bunch of welcome confirmations and surprises, as well as the obligatory less-welcome ones, the most gratifying thing about the roughly 20-minute presentation of Oscar nominees was our again being able to hear in-the-moment gasps, whoops, and even, for one category, laughs with the lists of names and titles. Especially titles. But we'll get to that.

If any movie this season can truly unify parents with their teenagers, it'll likely be Missing, the new mystery thriller whose morals can be effectively boiled down to “You need to always be honest with me, Mom” and “You need to pick up when I call, sweetie.”

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