chart-small.jpg Quarantine won this week's Box Office Power Rankings, and my first thought was that, with Rotten Tomatoes and Metacritic scores of 61 and 54, respectively, the horror flick would have done even better a few weeks ago. Sure enough, those scores would have secured an additional five points for Quarantine because of weaker competition.

ReligulousIn this campaign season, what can we learn from the performances of An American Carol and Religulous?

The easy conclusion is that audiences aren't real keen on such aggressively political material, with the two movies finishing ninth and 10th, respectively, in the weekend's overall box office. The second easy conclusion is that conservatives are slightly hungrier for entertainment than people who don't like religion.

Neither is necessarily correct.

Kirk Cameron in FireproofLate afternoon Tuesday, the Christian drama Fireproof had unofficially won this week's Box Office Power Rankings, with a gross of almost $7 million and a per-theater average to make Eagle Eye sweat. By Wednesday morning, however, it was in fourth place.

Ghost TownIf you glance at the box-office top 10 this week, you might think that the supernatural romantic comedy Ghost Town was a bomb, finishing last among the four major new releases and eighth overall. But the movie's title was almost a self-fulfilling prophecy, as Paramount/DreamWorks only exhibited it in 1,505 theatres - a sure sign the studio doesn't believe in the movie. (Its opening-weekend competitors - Lakeview Terrace, Igor, and My Best Friend's Girl - were all released in more than 2,300 theatres.)

Kathy Bates and Alfre Woodard in Tyler Perry's The Family That Preys Much has been written over the past 18 months about the death/irrelevance of film criticism in print media, as newspapers scaled back their movie coverage and Premiere stopped publishing a print edition.

Julie Walters, Meryl Streep, and Christine Baranski in Mamma Mia! Mamma Mia! isn't a massive hit, but it has staying power. With $136 million in domestic receipts since its release on July 18, it's at ninth place in the summer's box-office race, yet it's been a steady earner. This marks the movie's eighth week in the box-office top 10 (and hence the Box Office Power Rankings), equal to Iron Man and The Dark Knight and one more than WALL•E, Kung Fu Panda, and Indiana Jones & the Kingdom of the Crystal Skull. That's pretty impressive however you cut it, but especially in the absence of a huge opening weekend.

new-thunder-small.jpgIf Tropic Thunder repeats as Box Office Power Rankings champion this weekend, it will match The Dark Knight with titles in four consecutive weeks. (Iron Man topped the charts for five straight weeks earlier this summer.)

This points out one of the flaws of our system : Box Office Power Rankings have no sense of scale. After 20 days, Ben Stiller's comedy earned $87 million domestically to Batman's $411 million. Christopher Nolan's movie received better reviews. Yet in the eyes of the Box Office Power Rankings, they could soon be equals. It just isn't fair, is it?

Star Wars: The Clone WarsHow badly has George Lucas damaged the Star Wars franchise? At BoxOfficeMojo.com, The Clone Wars' revenues are being compared to Final Fantasy and TMNT - and after two weekends, it's losing to both.

vickycristina.jpgIt's not a surprise that Tropic Thunder unseated The Dark Knight last weekend after four-week reigns atop the box-office charts and the Box Office Power Rankings. Good reviews, some protests, Ben Stiller, and a white-hot Robert Downey Jr. will do that, although its $40-million six-day take has to be considered something of a disappointment in light of its $92-million production budget.

Gone with the WindBecause nobody has pushed The Dark Knight off its perch (either in the weekly box-office-receipts charts or in the Box Office Power Rankings) ... .

When Batman ($445 million through August 11) knocks Star Wars ($461 million) off as the second-highest-grossing movie in domestic-box-office history – which should happen this weekend – please keep the accomplishment in perspective.

 

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