Ben Stiller and Owen Wilson in Starsky & HutchSTARSKY & HUTCH

In various projects over the years, Ben Stiller and Owen Wilson have repeatedly proven their talents in writing, directing, and performing, yet if they were to trash all their other aspirations and simply make one deliriously dumbass comedy together per year, I, for one, wouldn't mind in the slightest.

The Passion of the ChristTHE PASSION OF THE CHRIST

Leaving a screening of The Passion of the Christ, I felt pummeled, confused, and very, very angry, feelings I can't imagine director Mel Gibson wanting to inspire with his cinematic take on Jesus Christ's last 12 hours on earth.

Drew Barrymore and Adam Sandler in 50 First Dates50 FIRST DATES

Adam Sandler's 50 First Dates is about a man who falls in love with a woman suffering from short-term memory loss, a condition the filmmakers must think afflicts their audience as well.

Kurt Russell in MiracleMIRACLE

Although I'm generally a sucker for triumph-of-the-underdog sports flicks - 1986's Hoosiers remains my favorite - and was all set to have a good sniffle at Miracle, the movie is so cynically programmed to be a lump-in-the-throat audience-pleaser that I found it all too easy to resist.

Christina Ricci and Charlize Theron in MonsterMONSTER

In all honesty, I was rather dreading Patty Jenkins' Monster, the much-lauded drama that has received nearly universal acclaim (and a Best Actress Golden Globe) for star Charlize Theron.

Ben Stiller and Jennifer Aniston in Along Came PollyALONG CAME POLLY

There's a pretty funny movie lurking within Along Came Polly, but unfortunately, it bears little relation to the slack and obvious one Ben Stiller and Jennifer Aniston are stuck in.

Peter Dinklage and Patricia Clarkson in The Station AgentTHE STATION AGENT

After spending 90 minutes with the cast of Tom McCarthy's The Station Agent, I believe I would, à la The Purple Rose of Cairo, have eagerly leapt right into the screen and been content to spend the rest of my life in their company.

Are mainstream movies, in general, becoming more and more stale? The question arose a couple of weeks ago when an acquaintance asked if I'd seen anything good recently. After a pause I was finally able to reply, "Uh ... Return of the King?"

"Well, of course that. Anything since then?"

Jude Law in Cold MountainCOLD MOUNTAIN

Though the story of two separated lovers braving incredible hardships to eventually reunite is a common one in war-themed movies, I don't think I've ever been less moved by it than in Anthony Minghella's Cold Mountain, an adaptation of Charles Frazier's much-adored Civil War novel.

Diane Keaton and Jack Nicholson in Something's Gotta GiveSOMETHING'S GOTTA GIVE

In Something's Gotta Give, a sixtysomething womanizer, currently dating a twentysomething auctioneer (!), finds himself, for the first time ever, falling in love with a woman roughly his age, and - wouldn't ya know it? - it's his girlfriend's mother! Has there ever been so High a Concept? A forced, jokey premise like this is usually enough to make me hide under my theater seat; it's a situation so nakedly designed to provide good-natured chuckles and muffled sobs that a hardened cynic like me walks into the movie with all defenses immediately up.

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