It's routinely said that what matters isn't the actual length of a movie, but rather how long a movie feels. Killers of the Flower Moon, Martin Scorsese's genre-blending tale of systemic murder set in early-20th-century Oklahoma, runs just slightly under three-and-a-half hours. Unlike Scorsese's 2019 The Irishman, however, which lasted about five minutes longer, his latest epic crime drama feels like three-and-a-half hours.

I never imagined that the sensational Asteroid City would merely rank as Wes Anderson's fifth-finest achievement of 2023.

I so should've known better, but I was really looking forward to The Exorcist: Believer, and for the simple reason that the trailer creeped me the eff out.

For a movie plastered wall-to-wall with visual effects, writer/director Gareth Edwards' The Creator pulls off a feat only a few futuristic science-fiction films have managed over the decades: It makes you completely forget about the visual effects.

Because the competition is so fierce, it's hard to say which scene in director Scott Waugh's action sequel Expend4bles is the most repellent. And for the sake of time and our collective sanity, I'm going to ignore every multitudinous instance of brains being splattered via gunfire, the effects for which look like they were added post-production with a red magic marker.

Is it possible that, regarding his previous Hercule Poirot mysteries, Kenneth Branagh not only read critiques of those films, but actively took their criticisms to heart?

Honestly, it sometimes feels like the only thing getting me though the extended Conjuring Universe, which is now nine films old and counting, is Wikipedia.

By this point in his career, it goes without saying that Denzel Washington has nothing left to prove as an actor – and wow but I've been enjoying his recent nothing-to-prove performances.

In an early episode of The West Wing, White House Press Secretary CJ Cregg references a visiting Middle Eastern royal with 38 wives: “Imagine being the girl he dated that he didn't marry.” That quote came to me following my screening of Liam Neeson's new revenge thriller Retribution, because good Lord – if these are the projects the star keeps accepting, can you imagine how bad the ones he turns down must be?

A biographical sports drama, triumph-of-the-underdog crowd-pleaser, and video-game “adaptation” all rolled into one, director Neill Blomkamp's Gran Turismo opens this upcoming Friday – though if you reside in the Quad Cities, it's understandable if you thought it actually opened several weeks prior.

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