12 Oct 2004

"Metallica: Some Kind of Monster" Transcends Metal and the Documentary: Also, "Shark Tale," "Friday Night Lights," and "Ladder 49"

By Mike Schulz

James Hetfield in Metallica: Some Kind of MonsterMETALLICA: SOME KIND OF MONSTER

Metallica: Some Kind of Monster has the sort of title guaranteed to repel viewers who might love it the most. This warts-and-all documentary, chronicling the two-plus years devoted to creating Metallica's St. Anger CD, is like the best episode of Behind the Music ever made, offering an intimate look at the relationship between guitarist James Hetfield and drummer Lars Ulrich, and detailing the nightmare involved in getting the group recording again after a five-year hiatus. The movie will be Mecca for metal fans, yet its appeal isn't totally insular. Audiences who may be loath to sit through a doc on any heavy-metal group might not realize what directors Joe Berlinger and Bruce Sinofsky have fashioned here; Some Kind of Monster is one of the finest recordings of the collaborative artistic process ever committed to film, a hard-edged and endlessly fascinating look at the excruciating work that goes into the making of an album. And for those for whom documentaries are even less appealing than heavy metal, it must be said that the film is one of the funniest and most shockingly touching screen works of the year, This Is Spinal Tap with actual human beings at its core. It's a thrilling experience.

05 Oct 2004

Linklater Re-Captures Magic in "Before Sunset": Also, "First Daughter"

By Mike Schulz

Ethan Hawke and Julie Delpy in Before SunsetBEFORE SUNSET

Richard Linklater has directed some marvelous films in the past - particularly Dazed & Confused, The School of Rock, and (his best work until now) 1995's Before Sunrise - but he has never created one as stunningly, ravishingly alive as Before Sunset.

28 Sep 2004

"Donnie Darko: The Director's Cut" Unnecessary But Still Stunning: Also, "The Forgotten" and "Wimbledon"

By Mike Schulz
Jake Gyllenhaal in Donnie Darko: The Director's Cut

DONNIE DARKO: THE DIRECTOR'S CUT

After I first saw Donnie Darko on DVD some 16 months back, I did something I'd done only once or twice before, and never again since: I returned to the main menu, hit "Play," and watched the movie again.

21 Sep 2004

"Sky Captain" Brings Surprise and Fun: "Sky Captain & the World of Tomorrow" and "Cellular"

By Mike Schulz

Jude Law and Gwyneth Paltrow in Sky Captain & the World of TomorrowSKY CAPTAIN & THE WORLD OF TOMORROW

Sky Captain & The World of Tomorrow might be the movie year's most refreshing surprise, especially when you consider how disastrous the results could have been.

14 Sep 2004

Newcomer Creates a Beautiful "Garden State": Also, "Vanity Fair" and "Wicker Park"

By Mike Schulz

Zach Braff in Garden StateGARDEN STATE

Zach Braff's indie comedy Garden State is something rare: a homecoming tale told with a clear eye and, more often than not, a refreshing lack of sentimentality.

07 Sep 2004

Late-Summer Odds and Ends: "Hero," "Napoleon Dynamite," "Without a Paddle," "Anacondas: The Hunt for the Blood Orchid," "Suspect Zero," and "The Exorcist: The Beginning"

By Mike Schulz

Jet Li in HeroHERO

Does any moviegoer really care what Zhang Yimou's Chinese martial-arts epic Hero is actually about? You get to see adversaries battling one another while running on water! You get to see a woman warding off a bow-and-arrow onslaught using only her dressing gown! You get to see a guy splitting raindrops in half with a sword, for Pete's sake!

31 Aug 2004

A Look Back at 2004's Summer Crop

By Mike Schulz

AVP: ALIEN VS. PREDATOR - I probably would have enjoyed it just fine if the damned humans didn't keep showing up to ruin the fun. For fans of the genre, there's certainly entertainment to be had here - the Aliens are allowed some tense, shivery moments, and writer-director Paul W. S. Anderson has hold of a strong story idea - but it comes after almost 75 minutes of protracted build-up, with wretched dialogue and mostly abysmal acting that makes you want to bash your skull in. The worst of the Alien flicks; the second-best of the Predators.

24 Aug 2004

Don't Believe the Hype on "Open Water": Also, "AVP: Alien vs. Predator" and "The Princess Diaries 2: Royal Engagement"

By Mike Schulz

Blanchard Ryan and Daniel Travis in Open WaterOPEN WATER

We all know that shoestring-budgeted independent works aren't necessarily going to have the professional sheen of Hollywood output, but after reading the rave reviews for Open Water, I feel compelled to ask: Just how much amateurishness are we expected to endure in the name of cinematic political-correctness (i.e., loving an indie solely for being an indie)? Barring an ingeniously edited sequence during a thunderstorm and a few stomach-tightening moments when sharks make surprise appearances, I didn't find Open Water the least bit scary, let alone "Riveting!", "Electrifying!", and all the other superlatives currently being lavished on it (and this from someone who still gets freaked out watching The Blair Witch Project). Worse still, the movie is so badly performed and overwritten that it has the unintentional effect of coming off as totally phony, and since the film was notoriously shot with the leading actors surrounded by real sharks, realism is Open Water's only true draw. Are we film critics now so openly hateful toward CGI-heavy Hollywood blockbusters that we'll happily convince ourselves that tedious, flatly staged thrillers such as Open Water are actually great?

17 Aug 2004

Despite Contrivances, "Collateral" Is Spectacular Summertime Fare: Also, "Little Black Book," "De-Lovely," and "Coffee & Cigarettes"

By Mike Schulz

Tom Cruise in CollateralCOLLATERAL

Collateral's plot is so High Concept you can barely believe it hasn't been filmed before: A cab driver (Jamie Foxx) unknowingly picks up a hired assassin (Tom Cruise) as a fare, and spends a long, strange evening chauffeuring him from one execution site to another, all the while trying to prevent the killer from performing his rounds without, of course, getting himself killed in the process.

10 Aug 2004

"Harold & Kumar" No Masterpiece, But It's Smart and Fun: "Harold & Kumar Go to White Castle," "The Manchurian Candidate"

By Mike Schulz

How strange that, of the two movies I recently caught as a double-feature - Jonathan Demme's The Manchurian Candidate and Harold & Kumar Go to White Castle, directed by Dude, Where's My Car? auteur Danny Leiner - not only is Harold & Kumar the better of the two, it's the only one really worth discussing in any detail.

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