
When I talked with Nathaniel Rateliff earlier this week, he was driving a dump truck for his job as a gardener, and closed the interview with these pronouncements when asked if there was anything he'd like to mention: "I love to swim. I like poultry."
Aside from hinting at a dry sense of humor, these things suggest that Rateliff is grounded person. And that's reflected in the path that he's chosen.
The Denver-based singer/songwriter, who will perform two Daytrotter.com shows on August 27, had an opportunity to have his rock band (Born in the Flood) and perhaps his current folk-ish outfit signed to the Roadrunner label. But he chose instead to follow his heart.
Nick Curran's Reform School Girl starts with Etta James' "Tough Lover," in which the Austin, Texas-based singer, songwriter, and guitarist breaks out his best Little Richard impression while staying true to James' performance, from the opening growl forward. The album ends with AC/DC's "Rocker." In between are 12 Curran originals that make the compelling case that the essence of rock and roll didn't change much from 1956 (when "Tough Lover" was released) to 1975 ("Rocker") to 2010 (Reform School Girl).
The idea, says former Creedence Clearwater Revival bassist Stu Cook, began simply enough.



The first two tracks of Centaur Noir's Rock the Hall are a study in contrasts. Lead track "Market Street" is a dusty piece of lonesome folk -- guitar, percussion, and a little harmonica under restrained twin vocals, one falsetto and one a hoarse croak.






