If the husband-and-wife duo of Tennis disappears a year from now, it will remain a great story. Frugal living and romance led to a sailing trip that led to the band that captured their journey in evocative, lovely lo-fi songs. Another period of frugal living will let Tennis test the musical waters over the next year, and if it doesn't work out, Patrick Riley said he's okay with that.

In a phone interview last month, Riley said he and his wife have saved enough money at their day jobs over the past year to "buy ourselves another year of doing whatever. Since music has taken off, we're just going to try the music thing for a year. ... If we can sustain ourselves, we'll keep doing it. If we can't, we'll just turn it back into a hobby again."

When the band Cults plays a Daytrotter.com show at The Speakeasy on Sunday, guitarist/songwriter Brian Oblivion promises plenty of fresh material. "Well, obviously," he said in a phone interview last week. "That's kind of the running gag of the tour. 'This is a new song. We wrote it a month ago.' 'This is an old song. We wrote it four months ago.'"

To put it mildly, things have moved quickly for the duo of Oblivion and Madeline Follin -- which adds four members for live performance. As Oblivion said, "We've had to kind of put everything you do normally in a band on fast forward." After unexpectedly finding a national audience earlier this year, Cults is now touring with Maps & Atlases (through mid-August), and the pair is working on songs for a full-length that it hopes to release around the end of the year. The two core members are taking a year off from school to see where music takes them.

When Sean Ryan recorded his solo debut, Lonesome Driver Music, two years ago, his group the Dawn was around, but "I just wasn't ready to take the band I had into the studio," he said.

So he employed some noted local pros -- including drummer Marty Reyhons and guitarist Kerry Tucker, both from Einstein's Sister, and pedal-steel player Tom Pickett Jr. -- in the service of his songs, and the result was an excellent snapshot of a promising young writer and performer in good hands.

The Dawn has now finished its debut, and Ryan has clearly assembled a strong crew in the intervening period. Reyhons and Tucker still make contributions, but the self-titled record is anchored by a proper band: singer/songwriter/guitarist Ryan, Pickett, Jordan VanOpdorp on keyboards, Garrin Jost on bass, and Dave Soliz on drums. The band is an essential element, as Ryan's songs universally benefit from rigorous, full arrangements played with flair.

The first two tracks of Centaur Noir's Rock the Hall are a study in contrasts. Lead track "Market Street" is a dusty piece of lonesome folk -- guitar, percussion, and a little harmonica under restrained twin vocals, one falsetto and one a hoarse croak.

It's followed by "Only English Spoken," with blunt beats and dominating electronics overwhelming the vocals.

So Centaur Noir, a solo project of Meth & Goats frontman (and Moline resident) Jon Burns, embraces a dual nature. Sometimes the two sides meet -- as on album standout "Ten More Years," in which the lead acoustic guitar is balanced by soft, droning synthesized melodies. But even when they do converge, each song's heartbeat is clearly either folksy or electronic.