Some
things are too embarrassing for public consumption, so the man born
Garrett Dutton and known as G. Love exercised some control over the
content of his new documentary and concert DVD, A
Year & a Night with G. Love & Special Sauce.
When the director showed him his initial cut of the documentary portion of the DVD, coming it at roughly two hours, G. Love demanded that some material come out.
The running time was one concern, but image was another, G. Love admitted in an interview last week to promote his July 12 appearance at the Redstone Room. "You've got to take this shit out," he told the director. "I don't want to come off like this."
The
MySpace page profile for the Quad Cities trio Head Held High includes
upcoming shows, the band's influences, and a response to the prompt
"Sounds like." The group has written "a rock band."
I'm talking to blues musician Watermelon Slim about the myriad jobs he's had in between the release of his first album, 1973's Merry Airbrakes, and his second, 2003's Big Shoes to Fill. Those three decades found Slim working as a truck driver, a forklift operator, a collection agent, a firewood salesman, a funeral officiator, and even a watermelon farmer, the job for which The Artist Formerly Known as Bill Homans got his moniker.
As always, the performers at this year's IH Mississippi Valley Blues Festival will arrive with a host of awards to their names. But here's a guarantee: Albert Cummings will be the only one boasting a citation from the architectural digest Remodeling.
Alberta
Adams gained a foothold in the booming Detroit entertainment industry
as a tap dancer in the early 1940s at Club D&C. But "I always
wanted to be a singer," she said in a recent phone interview.
I've
read about Nappy Brown's energetic and ribald stage antics when he
was a big star in the 1950s. And having seen him lying on the floor
doing the "bug dance" at the 1993 Mississippi Valley Blues
Festival, I asked him what we should expect of his set with Muddy
Waters alumnus Bob Margolin at the fest this year.
"I'm not sure there's an owner's manual to this business that can truly enlighten one," says blues musician Kelly Richey, "but I did know that I was the type of artist that wasn't gonna be happy if I couldn't do it my own way."
"You
got a minute?" Drink Small asked me during our phone interview.
It's
only a slight overstatement to say that blues piano legend Henry Gray
has played with everybody who's anybody.







