Augie March, Augie March, Moo, You Bloody Choir. Charting number-one singles on the Australian home front, it's shocking that Augie March achieved close to no notice in the States. Elegant in its simplicity, the band's brand of rock can be compared to post-alt-country-era Wilco, but with a definite Aussie influence - think elements of Midnight Oil, but more literate. Past albums saw Augie March rushing forth like a speeding train, but this time the songs are built around acoustic, rather than electric, guitar parts, so they have a more cautious and quiet path to their destinations. From pop anthems to grandiose ballads, singer-songwriter Glenn Richards uses lyrics as instruments strung together to shimmer like violin strings or crash into one another like cymbals. While Australian critics sing the band's praises, and fans sing their songs, one can't help but wonder if we Yanks are simply mooing in the wrong bloody choir.

Hedroom HertzIf you're looking to "take a cup of kindness" this December 31, the following local venues will - to borrow some phrasing from "Auld Lang Syne" poet Robert Burns - be more than happy to fill your pint-stowp with a right gude-willie-waught. But they'll also be showcasing some of the area's most popular bands, so take a look at who's playing where, and when, and what sorts of New Year's Eve treats you can expect if you attend.

And if you decide to trek to a local eatery or watering hole on Sunday night, remember to do two things: (1) Be careful during your travels, and (2) tip your wait staff. I don't know about auld acquaintances, but those who work past midnight on New Year's Eve definitely should not be forgot.

Happy New Year from the entire Reader staff. We'll see you in '07!

Calling a CD Loose Ends is dangerous - with the implication that a band is emptying its junk drawer of songs - but for a local act that hasn't broken yet, it's downright lethal.

I had hoped that the third CD from Iowa City's Human Aftertaste would merely be misnamed, but Loose Ends is a perfectly appropriate title. There's an EP of good material on this collection, but at 45 minutes it's fatty and self-indulgent. Two versions of the cover "Goodbye Horses," a live track, and a mostly spoken-word piece drag it down, and much of the remainder is undistinguished.

Bob Dorr & the Blue Band They're not quite in the league with The Who or the Stones, but Bob Dorr & the Blue Band are celebrating their silver anniversary this year. And to mark those 25 years, they've released a retrospective two-DVD set of live performances (produced with the help of Iowa Public Television) and a separate live CD of their 25th-anniversary concert recorded in April.

Rude PunchAt first glance, you wouldn't guess that the guys in Rude Punch are ambassadors for reggae rock in the Quad Cities. Often sporting T-shirts, jeans, and baseball caps, the three band members look like typical white, early-20s college kids.

The trio - singer/guitarist Brady Jager, bassist Robb Laake, and drummer Adam Tucker - has been working this fall on its debut album and is gearing up for shows in Iowa City and in the Quad Cities over the next two months. And while the young band is at stylistic odds with most of its peers in this area, it is hell-bent on bringing its brand of Jamaican-flavored jingles to the masses.

The Spiral Band, "The Spiral Band" Imagine if Dave Matthews moved back to South Africa to find inspiration for a new album. After contemplating what really matters in life and taking some elements of the native music styles, including hand-drum percussion and backing vocals that at times sound similar to tribal choirs, that new Dave Matthews album might sound a lot like the debut recording from the Spiral Band.

Bob Margolin(Editor's note: Although the December 2 Adler Theatre "Legends of the Blues" concert was canceled, the River Cities' Reader thought readers - particularly blues enthusiasts - would appreciate this interview with Bob Margolin of the Muddy Waters Reunion Band.)

"For me, ‘the crossroads' is in Boston, not Mississippi."

That's how guitarist Bob Margolin explained his luck at finding himself playing beside a true musical giant, the father of deep "old school" blues - Muddy Waters - from 1973 until 1980. 

the Quad City Symphony led by David Bellugi At this weekend's Quad City Symphony concerts at Augustana College, David Bellugi will be the guest conductor and the soloist. For much of the concert, he'll actually be playing the recorder as he conducts. And that's just one of the elements of this concert that make it unusual.

While places such as MySpace offer musicians an affordable alternative to high-risk record deals and still provide undeniably lucrative exposure, the trend hasn't been without costs. The number of artists to choose from is overwhelming, making it difficult to tell one from the other.

With what seems like a thousand new bands coming out every week, it all does really start to sound the same after a while. So for a band to make its mark in today's market, it needs to work even harder at distinguishing itself from the crowd.

Shannon Curfman Shannon Curfman is an old soul in a young person's body.

"Buddy and I were ... talking about that actually - Buddy Guy," Curfman said in a phone interview last week. "He was kind of making fun of me. ... He's like, ‘You know what? That's bullshit. ... You're 20 years old and you've already gone through this. It took me until I was almost 70 to realize half this stuff.'"

"This stuff" is the nearly inevitable souring of a major-label musician on the business of selling records. Many performers need decades of being exploited by big corporations before they realize there's a better way. Curfman, who is now 21 and will be performing this Saturday at the Redstone Room, figured it out in her teens.

Pages