Struggle in the Hive Struggle in the Hive's self-titled debut is caught in limbo - somewhere between adolescence and adulthood, wakefulness and sleep, joy and sadness, hope and loss.

Primarily a two-person project of Pat Stolley (under the name B. Patric) and Jeff Konrad (under the name Nigel Jeffrey), Struggle in the Hive is a quiet, deliberately simple collection of often fragmentary songs that at first blush seem the products of inexperienced songwriters.

You could say that Mark Hummel's career in the blues is rooted in ignorance. Just not his own.

Mark Hummel A few years ago, Hummel's reviews of books about harpist Little Walter and guitar legend Mike Bloomfield were published. "The main reason I started writing," he said in a recent interview, is because so many writers "didn't seem to have a whole lot of knowledge about the music." Now the noted West Coast harmonica player in the trademark porkpie hat has broadened that desire to educate as a contributing writer to the online blues magazine BluesWax (http://www.blueswax.com), where he especially enjoys interviewing musicians whom he thinks deserve more recognition.

Reader issue #592 Although born and raised in Chicago, Liz Carroll has found a stunning amount of success in her ancestral homeland of Ireland. In 1975, at the age of 18, the fiddler won the Senior All-Ireland Championship - the first American to win that title in nine years, she recalled in an interview last week.

And a quarter-century later, in 2001, Irish Echo named her traditional musician of the year - its highest honor.

Carroll will be one of nine main-stage acts at this weekend's Midwest Folk Festival in Bishop Hill, about 30 miles southeast of the Quad Cities. The free two-day event focuses on Midwestern talent but has an international flavor because of artists such as Carroll, who still lives in the Chicago area.

Chris Vallillo Chris Vallillo studied archeology in college, but when that didn't suit him professionally, he decided to give music a shot.

"I figured if I was going to starve, I was going to go ahead and try to play music and just see if I could make a living at it," he said in an interview last week.

But Vallillo's vocational choices aren't all that different: Both archeology and the study of folk music involve the excavation of artifacts to help illuminate the way people lived deep in the past. Vallillo - a singer, songwriter, guitarist, and folklorist based out of Macomb - is one of the main-stage performers at the Midwest Folk Festival this weekend in Bishop Hill, Illinois.

When most people hear the phrase "folk festival," they think of idealistic and liberal white people with acoustic guitars. The Midwest Folk Festival at Bishop Hill this weekend will have a few of those, but it's more of a folklore festival, highlighting ethnic and traditional arts.

So in addition to those acoustic guitars, the Midwest Folk Festival will feature Latin American music, the santur (the Iranian hammered dulcimer), the pipa (a Chinese stringed instrument), and the Irish fiddle. And its conception of "American" music is broad as well, with Delta blues, Cajun, and Creole styles.

591_coverthumb "I'll tell you a cute little story," began Ray Voss, president of the Bix Beiderbecke Memorial Society. "There used to be an author in town, who passed away a few years ago. His name was David Collins. And he's written about 75 books - mostly for children - and he was also a teacher. Rich Johnson [the Bix society's music director] had been trying to get him to write a book about Bix, and he never wanted to do it.

"But one day in [Collins'] class, he said, 'Does anybody know who Bix Beiderbecke is?' So one kid got up and said, 'Yeah. He's the guy that's named after a run.'"

Voss then laughs, and says, in reference to 1998's Bix Beiderbecke: Jazz Age Genius, "So Dave got busy and wrote this really nice little book."

That is a cute little story.

So ...

... how many of your kids think Bix is named after a run?

 

Quad City SoundBoard logo Skepticism is often confused for cynicism, but the resistance that Quad City SoundBoard is running into seems to genuinely fall into the latter category.

SoundBoard, which was born roughly two years ago but has only solidified its organization over the past six or seven months, is a grassroots attempt to promote the local music scene. The group aims, said Vice President Tim Hobert, "to create a resource for the Quad Cities music community."

Mike Morgan & the Crawl Think about Sade, the cool and exotic British chanteuse known for "Smooth Operator." Now consider the "Texas Man" with an eye patch, Mike Morgan, whom Guitar World called "a genuine blues guitar hero" known for his incendiary playing. Mike's got all Sade's records and loves her jazz band.

And on his next album, which is currently in pre-production, "I've got one song I could really hear her recording," he said in a recent phone interview.

That's in addition to Morgan-penned numbers such as a "radio-friendly rootsy-rock song" that he and his band the Crawl have tried out live, an Otis Redding-like ballad, a couple of R&B "Al Green-ish-type things," a Louisiana-style ballad, a few shuffles, some "funky things," and "a Marvin Gaye ‘What's Goin' On' thing - I've never recorded anything like that."

A lot of 14-year-olds pick up an instrument to emulate their idols. It's just not often they choose the harpsichord.

But that's what George Shangrow did, and decades later, he's the director and founder of Orchestra Seattle and the director of the Seattle Conservatory of Music. This weekend he's performing on the piano and harpsichord as one of four musicians in the Black Hawk Chamber Music Festival.

The "Mostly Mozart Festival" celebrates the 250th birthday of the composer with two concerts each at Moline's First Congregational Church (on July 28 and 30) and Iowa City's Congregational Church (July 29 and 31).

River Cities' Reader Music GuideIn conjunction with this year's Music Guide, the River Cities' Reader has added new music-related features to its Web site.

You might notice that our print Music Guide no longer lists local bands, bars, and performance venues. That's because we've shifted that content to our Web site. As a result, it's searchable, and registered users can claim and edit their listings or create listings for their new bands or venues. In other words, the people who have the most to gain from accurate listings - whether they're bands, bars, or restaurants - will ensure that our database is as comprehensive and up-to-date as possible.

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