On Sunday, I wasn't looking forward to entering darkened Centennial Hall for the closing concert of the Quad City Symphony Orchestra season. I was thinking it would be a better use of the day to stay outside. But after an afternoon of relaxing, introspective music, I was better able to enjoy the sunshine-filled day.
Guest conductor David Effron turned toward the audience, ran his hand through his slightly wild gray hair, leaned forward for the opening Star Spangled Banner, and an afternoon of dramatic music and conducting began.

Beats as Folk

The first time a person hears Jewel's latest album, 0304, the likely reaction will be something along the lines of "What the hell?" The singer-songwriter, who broke through in 1995 with an acoustic guitar and her mega-hit debut Pieces of You, has made a dance pop record.
Neil Young and Crazy Horse will be performing this Sunday at The Mark. The show is set in a more intimate theatre style seating of 5,700 and is in support of their 2003 release of Greendale. (As of this writing only 500 seats are left.
The all-star lineup of the Newport Jazz 50th Anniversary Tour, coming to the Adler Theatre on Monday, includes two authentic jazz legends in 78-year-old saxophonist and flutist James Moody and 70-year-old pianist and composer Cedar Walton; one of today's outstanding new stars in saxophonist James Carter; a top jazz trumpet player in Randy Brecker; two of the most-called-upon rhythm-section players in bassist Peter Washington and drummer Lewis Nash; and the fine guitarist Howard Alden.
Saturday’s Quad City Symphony Orchestra concert promised something for everyone, and just about everyone came to hear it. Young and novice audience members joined experienced classical-music lovers for The Thrill of Music concert presented to a near-capacity crowd by the Quad City Symphony.
The fat lady didn't sing, so I guess the opera isn't over. Instead, it's just beginning, with City Opera Company of the Quad Cities' first self-produced opera, Mozart's The Magic Flute. And if you think opera is stuffy, the production the organization staged this past weekend at the Galvin Fine Arts Center would have proved you wrong.
The Winter Blanket is one of those bands that the more you listen to them, the more you want to know. My first experience with the group, which originally hailed from the Quad Cities but is now based in Minneapolis, came when I stumbled across its sophomore effort, Actors & Actresses (see "Building a Better Sedative," River Cities' Reader Issue 358, January 23-29, 2002).
Two hundred sixty years after its composer set the words to music, The Messiah still draws hundreds of spectators to enjoy the tradition in the Quad Cities. What makes The Messiah different from hundreds of other masterpieces created through the years? Perhaps its history can give us a clue to why crowds flock to see performances.
The fledgling club Quad City Live got a big push in October, when the annual Pigstock metalfest was held in its parking lot (in the Freight House complex off River Drive in Davenport). But that boost wouldn't do much if the club didn't continue to bring in interesting acts.

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