Roy Book Binder considers last year's The Good Book to be his most important album. And he never thought it would happen.

"I didn't really want to make any more records," he said in a recent phone interview. "I didn't want to do any more covers of [Mississippi] John Hurt and this one and that one. I figured, 70 years old coming up, why bother? ... I kept telling people, 'When I write enough songs, I'm going to put out an album.' I never thought I'd really do it."

But, he said, there was another pull, the simple fact of getting older: "If I don't make my mark soon, I ain't ever going to make it."

He said he had two good songs, and "I did a live album [2005's Live at the Fur Peace Station] just to get them out before I died, you know?"

When people would ask about a new album, Binder said, he'd pay lip service to the idea: "I kept saying it would be out in the spring, but it never was. Then finally I said, 'It's really going to be out in the spring.'"

But when he returned home in the winter from his annual six-month trek around the country, his wife asked him how it was going. "I got out my notebooks and my pads," he said, "and I had like three and a half songs written, plus the two that I put on the live album ... ." Then, during a visit to the Caribbean, "the songs came to me."

The resulting record, he said, will likely be his legacy.

It's about 15 minutes into my phone conversation with jazz vocalist Margaret Murphy-Webb. She's energetic and engaging and boasts an infectious laugh, and every once in a while she calls me "baby," which I like a lot. And then, knowing that the artist is pursuing a music degree at Chicago State University after nearly 30 years of performance, I ask her if, because of tuition and other costs, she has to supplement her income with any additional jobs.

"Oh, baby, you don't know!" she exclaims. "I'm a Chicago police officer! August 1 will be my 20th year!"

I actually did not know this (nor, for the record, would any other visitors to MargaretCMurphy.com, where that information is noticeably absent). I apologize for my ignorance and ask if it's cool to mention her career in print, and she says, "Oh yeah! I just assume people know, but I try not to tell people. That's dirty laundry." She laughs. "But they don't boo me when they know I'm a police officer!"

Of course, I'm betting that the musician doesn't ever deal with booing, given her gorgeous phrasing and vocals, and her presence that the late, great jazz saxophonist (and Murphy-Webb's former mentor) Von Freeman said "reminds you of Betty [Carter] and Billie [Holiday] in that, from the moment she steps onto the stage, she has the audience enraptured."

The Johnny Kilowatt Band with Gloria Hardiman, 5 p.m.

We have a great opener for the 30th-annual Mississippi Valley Blues Festival! The Johnny Kilowatt Band featuring Gloria Hardiman will get your blues blood pumping!

Jon Klinkowitz, a two-decade veteran of the Iowa blues scene, is the frontman and guitarist for the Johnny Kilowatt Band from Iowa City.

Klinkowitz was a founding member of the Blues Instigators and played with the group from 1990 to 1995, during which time the band won the University of Iowa RiverFest Battle of the Bands (in 1994) and the inaugural Iowa Blues Challenge (in 1995). The band backed Bo Diddley in 1993 and played the Mississippi Valley Blues Festival in 1993 and the Iowa City Jazz Festival in 1995. During Klinkowitz's tenure, the band opened for Lonnie Brooks and Rod Piazza at Buddy Guy's Legends in Chicago and appeared on the syndicated television show Chicago Blues Jam. Klinkowitz formed the Johnny Kilowatt Band in the late 1990s; other members include fellow Blues Instigators alumnus Ed English on bass, Tim Crumley on drums, Bill Peterson on keyboards, and veteran jazz musician Saul Lubaroff on sax.

The Mercury Brothers, 6 p.m.

Congratulations to the Mercury Brothers for winning the 2014 Iowa Blues Challenge! The Quad Cities band first beat out the competition in a local round and then in the final round in Des Moines for the opportunity to represent the entire state of Iowa at the International Blues Challenge in Memphis next January. This band is tight and professional, and includes some of the best musicians in the Midwest.

Make sure you bring your dancing shoes for this set by the best band in Iowa! The Mercury Brothers play original blues, R&B, soul, and roots music as well as covers that sound like their own. They pull from deep repertoire of artists from the Blasters to The "5" Royales.

Dexter Allen, 3 p.m.

DexterAllen.com

I had the luxury of seeing Dexter Allen for the first time in 2011, at the Windy City's blues festival. I heard an amazing musician! Someone turned to me and said, "That's Dexter Allen, the Blues Man from Mississippi." Dexter was born in Crystal Springs, Mississippi, the son of a preacher. His grandpa was a deacon. Dexter began playing guitar at the age of 10, and thumping the bass at the age of 12.

Winter Blues All-Stars, 3 p.m.

The Winter Blues All-Stars is composed of talented young musicians selected from the River Music Experience's Winter Blues program. The annual Winter Blues program features vocal and instrumental workshops (guitar, bass, harmonica, keyboards, and drums), as well as a concentration on blues composition and improvisation. These sessions are open to musicians from eight to 18 years of age and are led by Ellis Kell of the River Music Experience and Hal Reed of the Mississippi Valley Blues Society, with other veteran blues musicians from the region as special guests.

Little Bobby Houle, 3 p.m.

Bobby Houle makes his home in Thief River Falls, Minnesota. He is a third-generation musician who was born on Red Lake Reservation and eventually followed in the footsteps of his grandfather, Robert "Bashful Bob" Houle - a member of the Minnesota Music Hall of Fame and National Rockabilly Hall of Fame - and father, Robert Houle Jr.

A self-taught musician like his elders, Bobby began playing guitar in high school. He wasn't exactly following in his grandfather's and father's footsteps of country music. Bobby said, "I don't know how I fell into the blues, but once I did I was hooked on it. I love playing the blues, because each performance will be different from the previous performance."

In 2005 Little Bobby released his first CD, Before the Storm. Later that year he landed a spot on the Last Ride Blues Festival in his hometown, and Buddy Guy was the headliner. What a way to kick off a blues career!

The Westbrook Singers, 3 p.m.

TheWestbrookSingers.com

The Westbrook Singers are an extraordinary family group that is committed to spreading God's message through music - in a style that is both contemporary and traditional. The origin of this seasoned group dates back to the mid-'70s, when 11 siblings came together to complement a ministry that began with their father some 20 years earlier. Thus, the children of Bishop Charles B. and Barbara Westbrook came to be known as The Original Westbrook Singers.

Over the years, the group has changed in its makeup but not in its focus. Today, only four of the siblings continue in performance roles, though appearances by other siblings are not rare. They are Brenda Westbrook-Lee, Delores Westbrook-Tingle, Gary Westbrook, and Cynthia Westbrook-Bryson.

Van McCann, singer and guitarist for the United Kingdom's Catfish & the Bottlemen, has a strange relationship with the song "Homesick."

"I thought it was the worst one of the batch we did ... when we first started recording for Communion," he said, referring to the label/tour founded by Mumford & Sons' Ben Lovett. "Since then, it's become my favorite."

What changed, McCann said, was that other people liked it. And therein lies a great deal of the charm of Catfish & the Bottlemen, a band described by the UK's The Guardian as "deeply old-fashioned - and unfashionable."

McCann doesn't disagree with that assessment - whether it means an indifference toward appearance or, in a larger sense, a band more in love with the idea of playing for as many people as possible than selling lots of records or making artistic statements. When the quartet performs a Communion/Daytrotter show at Maquoketa's Codfish Hollow Barn on June 19, expect no-frills rock-and-roll with one goal: to connect with the audience.

Last year, Quad Cities-based singer/songwriter Lewis Knudsen decided to give up substitute-teaching to devote himself full-time to music. Lots of musicians make a similar leap, but few of them commit to it as fearlessly and smartly as Knudsen has.

He performed at open mics and got gigs wherever he could - restaurants, bars, wineries, nursing homes, birthday parties, company parties.

He set out to write and record a new song a week in 2013, a project that ended up generating 40 tracks (all of them available on his Web site at LewisKnudsen.com/songs-from-2013). For the uncharitable who think Knudsen was a slacker for falling short of his goal, the song-a-week project was waylaid by a three-week tour of Europe through the Germany-based Songs & Whispers organization.

He assembled a band and professionally recorded the self-released album Joy, Pain, Love, Songs. - whose debut he'll be marking with a June 5 show at the Redstone Room.

And while studio recording can be a challenge for neophytes, Knudsen sidestepped that issue in two ways - by fine-tuning the songs in live settings and having the process come to him by tracking with mobile equipment in his quintet's practice space. "It was exactly like being in my living room and recording the whole album," Knudsen said in a phone interview last week.

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