The Penny Ante Book The second edition of the Penny Ante Book is a beautifully twisted art jam that feels like finding cryptic love letters at the foot of a high-school locker, smudged with the tears and ballpoint-pen teen angst of a Breakfast Club detention. Published by the Penny-Ante Press division of Gifted Children Records, the 288 pages are peppered with rock-and-roll flotsam and jetsam, from an essay about the real Darby Crash by Alice Bag to a tour diary by Smog's Bill Callahan. Other highlights include a short story by Lene Lovich, Bonnie Prince Billy poster artwork by Stacie Willoughby, a collage by Simeon Coxe of Silver Apples, a reflection on the Welsh band Man by Ptolemaic Terrascope founding editor Phil McMullen, and six pages of art by Winston Smith, best known for his subversive cut-and-paste work for the Dead Kennedys.

(Editor's note: The August 20 show has been cancelled.) Paul Rishell & Annie Raines

 

"Little" Annie Raines, 38, is from the Boston area, so she didn't learn how to play harmonica at the knee of anyone in the cotton fields.

"I started playing the harmonica when I was 17 just for something to do," she said in a recent phone interview. "I was looking for a book on juggling - called Juggling for the Complete Klutz - and the bookstore was out of it. But they had Harmonica for the Musically Hopeless, so I got that instead. And that's how I got started playing harmonica."

Corey Wilkes When was the last time a Quad Cities venue featured a performance that included a jazz band with a dancer? I have lived in the Quad Cities for 30 years and have never heard of anything like that happening here.

That will change on August 19 at the River Music Experience's Redstone Room, when acclaimed 27-year-old trumpet player Corey Wilkes and his Abstrakt Pulse band will conduct a workshop at 3 p.m. and a matinée performance at 6 p.m.

One of America's greatest minds, Princeton professor Dr. Cornel West, returns next week with a new CD of intellectual hip-hop and R&B. Never Forget: A Journey of Revelations features an array of guests, highlighted by Prince in the scathing "Dear Mr. Man" and talk-show host Tavis Smiley and pundit Michael Eric Dyson in examination of the "N Word." Other front row students in class include Talib Kweli in "Bushanomics," Jill Scott in "What Time It Is," and Gerald Levert in "The Man's Gonna Getcha." Look for the thought-provoking disc on Hidden Beach Records' Hidden Beach Forum imprint.

Justin Morrissey, A War of WillsIf Chris Isaak traded in his rockabilly shtick for some country duds, the result would probably sound a lot like Justin Morrissey's new CD, A War of Wills.

Roadwork: Rock and Roll Turned Inside Out Tom Wright's life story in the new photography book Roadwork: Rock & Roll Turned Inside Out is one of those magical, right-place-at-the-right-time tales that leaves one grinning from ear to ear in envy. A schoolmate of Pete Townshend in 1962, Wright's gig as tour photographer for The Who in 1967 opened the doors for decades of intimate access and impromptu backstage portraiture with Rod Stewart, The James Gang, and the Rolling Stones. The Hal Leonard Books hardcover edition is a mix of anecdotes and excesses from the Wild West days of rock, printed on tasteful archival cream paper.

Tim StopulosIn his biography, Bettendorf native Tim Stopulos lists influences that range from Beethoven to Maroon 5, a bit of youthful overreaching that you might expect from a 23-year-old.

Yet there's a quote in the bio that strikes a chord, and puts Beethoven and Maroon 5 in a context that makes sense in light of his second album, The Long Drive Home. Music, Stopulos says, "definitely became an emotional outlet for me, but I also fell in love with the mathematical and logical side of the music as well."

The Holmes Brothers The Holmes Brothers have always had an eclectic style. Wendell, the guitar player and raspy-voiced singer, once told me that so many hours touring in the van acquainted them with all kinds of music. I can just hear them, all three singing along to whatever they happen upon on the radio, trying it out later live and then in the studio with their own gospel spin.

Share This Place The soundtrack to a fascinating multimedia performance with a bug's eye view is released next week by indie stalwart K Records. Commissioned earlier this year by the Portland Institute for Contemporary Art, Mirah & the Spectratone International's Share This Place is a cool collaboration with Kyle Hanson and Lori Goldston of Black Cat Orchestra, boasting a genesis that goes back to the observations of 19th Century entomologist J. Henri Fabré. The trio's parlor-room folk of lush vintage instruments accompanies filmmaker Britta Johnson's faux-insect stop-motion film - a taste of which can be found at (http://www.lorigoldston.com/sharethisplace.htm).

Don Vappie and the Creole Jazz Serenaders Don Vappie knows about boring music.

In the late 1970s, boring music prompted him to sell most of his instruments and give up playing. And while some people consider traditional jazz dull, Vappie begs to differ.

"I got really bored when disco came out," the New Orleans native said last week, talking about his time in a Top 40 group. "I always remember when I quit the band - I was playing bass - I said, 'You could teach a chimpanzee to do this,' because it was so repetitious.

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