Love Is AllParlophone - the label home to everyone from the Beatles to Colplay in the UK - found the Swedish quintet Love Is All a touch hard to work with.

The label released the band's 2006 debut, Nine Times That Same Song, but dropped it after receiving rough mixes for the follow-up and getting resistance from the group about employing some outside producers to shape the recordings.

It was a union destined for failure, but Parlophone simply discovered what the members of Love Is All knew already: They are difficult.

"Everybody has so much say about everything," said lead singer Josephine Olausson in a phone interview last week. "It can get really frustrating."

Whole Lotta ZeppelinSanta and your friendly postal carrier might be wishing that everyone gave digital gifts this year, as gift cards and iTunes credits surely lighten the load of their sacks. I'm sorry, St. Nick, but the perfect gift to thrill the music fan might be one of four new coffee-table books.

Sean RyanThere is no disputing that Sean Ryan is inexperienced. He's a senior at Augustana College, and he nearly boasts that the songs on his debut album, Lonesome Driver Music, were dashed off and barely touched again.

"I don't think I've ever spent more than 10 minutes writing a song before," he said in an interview - his first, he said - in September. He added that he only changed a handful of lines from initial composition to final recording.

Christmas a Go GoIf you are just starting to build or are looking to add to a collection of yuletide tunes, this year's offerings have something wonderful for any holiday hipster. Following six volumes in his Coolest Songs in the World series, Little Steven Van Zandt and his Wicked Cool Records imprint collect 20 of his holiday favorites in Underground Garage Presents: Christmas A Go Go. Featuring The Ramones, Electric Prunes, Darlene Love, and Rufus Thomas, highlights include Bob Seger's rare "Sock It to Me Santa," Soupy Sales' "Santa Claus Is Surfin' to Town," and Joe Pesci's "If It Doesn't Snow on Christmas."

DaytrotterThere's a lot to announce this week, after a few weeks of corresponding hiatus. First and foremost, starting this week, Daytrotter.com will be posting one brand new exclusive recording session seven days a week. Every day this month we're going to try to embody the holiday spirit more and more. If this trial month goes well, we'll continue the seven-days-a-week-of-new-session-posting throughout 2009. That would mean 365 days of sessions and at least 1,460 free songs. We hope that this makes you happy.

ChrashThe Quad Cities quartet Chrash goes by many names, and right now its preference appears to be Chrash Flood. That shape-shifting seems to reflect an almost willful desire for obscurity.

It's also a fair summary of Chrash's appropriately titled new record, The Name They Change, which the band will celebrate Saturday night at RIBCO.

Tom Jones - 24 HoursAlthough he's almost 70, there's no slowing down Tom Jones, as the Welsh sex symbol returns with his first stateside album in 15 years. 24 Hours has just been released by S-Curve Records, and rather than take the sparse, dark, and pensive path of many of his seasoned, sunset peers, the new album is flawless, big-strutting, sweat-inducing Tom Jones fever!

JJ GreyWhen J.J. Grey got off the road late last year, he immediately started preparations for what would become the Orange Blossoms record.

"I essentially recorded the album in November," he said last week.

Then he did it again in January.

And once more in February.

And then he went into the studio to finish the job with his band, Mofro.

Old Rare NewFor those of us who grew up thumbing through endless peach crates of vinyl records, the thrill of the hunt for coveted slabs of licorice pizza is still alive and forever under the skin. We may not feed the turntable as often or stumble in and out of the long-lost record stores of an earlier era, but the hunger is there. Downloading a selection from iTunes isn't the same as examining a wall of import seven-inch singles, finding the new bass player for your band in the aisles, or hearing Miles Davis for the first time on a battered tube-amp stereo.

Reader issue #710 Ask Polyrhythms' Nate Lawrence about the highlights of more than two years presenting the Third Sunday jazz series at the River Music Experience, and his response tells you a great deal about his goals.

"Lenora Helm put together a choir real quick, out of the kids, and they're doing 'Ain't Misbehavin','" he recalled last week. "Ray Blue, he had a six-piece with percussionists and whatnot, and as soon as the workshop was over, the kids just bum-rushed the stage. They sat at the piano. Some of the kids just grabbed the mic and started singing. Some kids went to the congas and started playing. The drummer got up, the kids sat down. It's hands-on. Those are the high points."

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