Reader issue #687 For Sam Beam, the impressively bearded man behind Iron & Wine, the transition from the spare, intimate folk that made his name in alternative-music circles to playful, lushly fleshed-out songs with an African flair was not something that gave him pause.

"It would just be kind of lame to do the same record over and over again, don't you think?" he said in a phone interview last week. "I can get bored real fast, to be honest."

Weinland For many musicians starting out, a day job is a means to support that which they love.

For Adam Shearer, the singer and songwriter for the Portland-based Weinland, his jobs in the mental-health field served that purpose, but they also held him back.

"When I was working as a mental-health counselor ... I could not write anything," Shearer said. "When you spend the day working with kids that have those experiences ... it would just take everything out of me." It was the type of job that provided a wealth of experiences and stories from which to draw songwriting material, but it was also draining.

Keith LynchThe first thing you're likely to notice about Keith Lynch's voice is that it often sounds like Kurt Cobain's.

Such comparisons are typically lazy and superficial, as this one is. But the Iowa City-based singer/songwriter - who records under the name Unknown Component and will be performing at Mojo's on Thursday - taps into something genuine with that flat whine, and the resemblance is eerie.

DaytrotterThe Daytrotter hive is in the middle of three heavy weeks of recording sessions and shows. We're welcoming to the studio Margot & the Nuclear So & Sos, Miles Benjamin, Centro-matic, The M's, Cryptacize, Ben Sollee, Nik Freitas, Weinland, Snowblink, and Dan Goodman this week. If anyone would like to purchase any wares from these bands - vinyl, T-shirts, etc. - let us know at (daytrotter@gmail.com) and we can try to coordinate this. Helping these bands out any way possible is always appreciated.

Thomas Dolby - The Sole Inhabitant A handful of old friends are back next week after extended sabbaticals from the spotlight. Hypnotic electronic pioneer Thomas Dolby returns with The Sole Inhabitant on Invisible Hands Music, a live CD and DVD set from Boston and Chicago in 2006. Like a chef in a mad laboratory and dressed in steampunk headgear and a post-apocalyptic trench coat, the solo performance revisits his classics from the 1980s, including "Europa & the Pirate Twins," "Flying North," "She Blinded Me with Science" and "One of Our Submarines." Surprises and insights include mixing in Martin Luther King Jr.'s "I Have a Dream" speech into "The Flat Earth" and sharing with the audience the origins of the songs.

Martin Dosh Martin Dosh, a frequent collaborator with Andrew Bird and a member of his live band, makes electronic music that doesn't sound the least bit electronic.

Yes, there are recognizable synthesized and loop elements and ambient textures, but with live drumming (instead of a drum machine) and breathing cohorts, it comes off as personal instead of mechanized. Its pulse is certainly stronger than most music of any genre composed to a formula.

"It's still at the base rock and roll," Dosh said last week in a phone interview. "It's not somebody with a laptop on stage ... ."

The Alkali FlatsIn their song "Old Salt Wells," the honky-tonk musicians of the Alkali Flats - based out of Sacramento, California - perform an up-tempo ode to the titular establishment, described in one of songwriter Tim White's lyrics as "the place where I first fell in love." It begins: "If you ever get the notion / That you'd like to see some motion / And you really wanna have yourself a ball / There's a roadside attraction / That'll give you satisfaction / They let it all hang out and that ain't all."

But if you're unsure about exactly what sort of roadside attraction the band is referring to, a subsequent introduction to its employees might help:

Daphne WillisIt's a busy day for Daphne Willis.

On the afternoon of our recent phone interview, the lead singer of the Chicago-based Daphne Willis & Co. was in the midst of a two-day shoot for promotional photos, an experience that Willis describes as "crazy. You know, we're all over the city doing shots - about 500 shots yesterday, and we're lookin' to do the same today."

Esopus The eclectic, twice-yearly publication Esopus magazine has made an accompanying CD a nifty part of its presentation, with previous issues - and tunes - inspired by the dreams of their readers, Ouija-board experiences, the content of spam e-mail, and Craigslist personals. The new issue, number 10, aims its lens at something we all could use a little more of: good news. This time out, 12 recording artists answered the editor's call and crafted exclusive songs inspired by an uplifting article from the daily newspaper or TV. Highlights include Chris Rehm's anticipation of his federal stimulus check, Man Man's relief at the news of an on-the-mend Liza Minnelli, and Langhorne Slim's acoustic ditty about the recovery of stolen Edvard Munch paintings. Marnie Stern and Artificial Man were both moved by the same event: a window-washer falling more than 40 stories and surviving this past December. Other participants embracing the feel-good lure include Ryan Adams, Busdriver, The Real Tuesday Weld, and The New Pornographers' Neko Case and Carl Newman.

Kent Burnside Kent Burnside is the grandson of blues legend R.L. Burnside, the nephew of blues musicians Duwayne and Dan Burnside, and the cousin of blues performer Cedric Burnside. Yet during a recent phone interview, the 36-year-old Kent recalls that when he decided to finally embark on his own professional blues career in 2006, his inspiration for doing so wasn't one of his famed family members.

"What actually inspired me," he says, "was Samuel Jackson."

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