Doña Oxford, 2 p.m.

Dona OxfordIf you want to hear some of the best, most energetic boogie-woogie and barrel-house blues piano around, make sure you get to the Fest site early on Sunday for Doña Oxford. As Blues Revue says, her work on the ivories is "stunning."

Drink Small, 1:30 p.m.

David Horwitz, workshop 1 p.m. Saturday

David has been traveling to festivals and clubs for years in search of great blues music for his ears and visual images to capture on film. This year he shot the Legendary Blues Cruise, and served as a judge at the International Blues Challenge in Memphis, Tennessee.

Smashing Pumpkins - Zeitgeist With iTunes now the third-largest music retailer in the country and the "big box" stores selling nearly two-thirds of all new CDs, things are getting weird, with more exclusive releases snuggling up with previously unlikely bedfellows. Starbucks and Universal Music have announced an upcoming album of Sonic Youth covers entitled Hits Are for Squares, with contributions by actress Chloe Sevigny, Pearl Jam's Eddie Vedder and comedian David Cross. In even more disturbing news, Billy Corgan is forcing fans of Smashing Pumpkins to purchase three slightly different versions of the upcoming Zeitgeist CD if they want all the bonus tracks that close out the disc. With the standard version featuring 12 tracks, does the search for the special rarities head you toward a hip, independent retailer? Unfortunately not, as fans are instead aimed towards iTunes, Best Buy, and Target for "Stellar," "Death From Above," and the title track. One more reason to jump for the iTunes set on pre-sale is a bonus pack of five Pumpkins songs covered by Panic At the Disco, The Bravery, +44, Test Your Reflex, and The Academy Is. Look for the various configurations of CDs and LP vinyls to sport different color combinations on their sleeves.

In writing in January about the first release from Planning the Rebellion, the college-age duo of brothers Robert and Scott Cerny, I said, "The band excels when it embraces its electronic elements fully." (See "Unwasted Youth," River Cities' Reader Issue 614, January 3, 2007.)

I mention this because for their second recording, bafflingly titled Volume 2, the Quad Cities-bred Cernys seem hell-bent on making a fool out of me, or at least calling my judgment into question. The self-recorded CD - roughly 30 minutes of music in nine songs - chucks the electronic processing until the coda that is the final track, and instead tries to skate by on voice, acoustic guitar, and piano.

And we're not talking about built-up layers; the Brothers Cerny stick with simple melodies, and even harmony vocals are rare. The gall!

Keeping up with the ever-mutating desires of the mobile set, two albums - a classic and a possible new classic - get special treatment as USB data devices this month. Recorded in exile and released in 1977, Bob Marley's Exodus holds the distinction of being the first "catalog" title to be issued as a memory stick, featuring bonus songs and video from London's Rainbow Theatre. Housed in a special carrying case, the edition of 4,000 copies is part of the album's 30th-anniversary celebration that also sees a new "hardback" version of the CD, a new pressing of the vinyl LP and original tour T-shirt, and a gorgeous 144-page book featuring rare photography and poet Linton Kwesi Johnson.

Lois Leloatch The theme of Lois Deloatch's workshop on June 17 at the River Music Experience is "the singer as an interpreter of music," and the irony is that her first CD (1998's Sunrise) was a collection of her own songs.

But for the North Carolina-based jazz singer - who will also perform a concert that night as part of the Third Sunday Jazz Matinée & Workshop Series presented by Polyrhythms - the line between original work and interpretation is hazy.

Robyn Hitchcock Robyn Hitchcock, one of the three greatest living songwriters (in my humble opinion), is having a good year. With a handful of new reissues, two cool live benefit tributes, the Sundance Channel documentary Sex, Food, Death, & Insects, and an upcoming visit to IFC's Henry Rollins Show, there's not a better time to discover the acid wit and romantic entomology of this psychedelic spiritual son of John Lennon and Syd Barrett. This past December Hitchcock & His Heavy Friends brought down the house in London's Three Kings pub as the band performed Pink Floyd's The Piper at the Gates of Dawn in its entirety, raising more than 4,000 pounds for the charitable Doctors Without Borders organization.

One day and less than 60 miles separate local performances by three stellar musical acts - two of them at the pinnacles of their respective genres, and one a genre all to himself. Alt-country royalty Wilco will perform at the Adler Theatre in Davenport on Wednesday, June 13, with minimalist-rock pioneers Low opening, while Richard Thompson will play Iowa City's Englert Theatre the night before.

Wilco One reviewer has called Sky Blue Sky the best Eagles record the Eagles didn't make, and it's impossible to shake the timeless soft-rock vibe in the sound, the vocals, and the easy pace.

"A Ghost Is Born was to me really jagged ... abrasive," Stirratt said of his band's last studio album. "And this record has a certain warmth."

But while Sky Blue Sky at first sounds like a retreat for the band that embraced noise and electronics on Yankee Hotel Foxtrot and A Ghost Is Born, Wilco hasn't abandoned experimentation. "Side with the Seeds" features guitar and Mellotron detours that, combined with slightly muffled drums and throbbing bass spikes, recalls King Crimson's disparate In the Court of the Crimson King and Red.

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