Sub Pop Records is following in the footsteps of the Merge and Saddle Creek imprints by rewarding the purchaser (remember them?) with free, official mp3 downloads directly from the label, via a coupon found inside all forthcoming vinyl LPs. Yes! Give the vinyl purchaser something special, or at least hold hands on the path down to the iPod or 10-cent blank CD. I'm all for this common sense approach in a world where music is becoming exchangeable files instead of (geezer alert!) collectible physical artifacts, linked together by a discernible, evolutionary timeline. The first LP to contain a unique coded coupon is Tuesday's release of The Shins' Wincing the Night Away.

Stacy EckertI was talking to someone, and she hadn't ever seen an opera," recalls Stacy Eckert, who performs the title role in Opera Quad Cities' new production of Carmen. "And I was trying to explain Carmen, and I said, 'Well, I bet you know more tunes from the show than you think you do.' And she said, 'Aw, no, I don't know any of them.'

"So I started humming a few. She goes, 'Oh, I know that one! Oh, that was in The Bad News Bears, the original one! Oh, I know that one, too!' And I said, 'See? You know a ton of them!'"

Christina Rosenvinge Only a few weeks into 2007, an ambitious new CD from Spanish-Danish vocalist Christina Rosenvinge is an early pick for one of the most seductive albums of the year. A simply shimmering collection of 10 sparse songs that transcend her past pop success as half of the Latin hit-makers Alex y Christine, Continental 62 is mature, caressing, dangerous, and hypnotic, casting angels and demons in both English and Spanish with a vocal range slowly swirling in the smoke of Nico, Marlene Dietrich, Diamanda Galas, Nick Cave, and Francoise Hardy. Recorded in Madrid and polished in New York City with Tim Foljahn of Two Dollar Guitar and Lee Ronaldo and Steve Shelley of Sonic Youth, the new CD is her third release on Shelley's own Smells Like Records imprint. Rosenvinge's soft wail cascades over Spanish guitar and her frail piano work, inviting the listener into her private, redemptive waltz. Highly recommended.

 

Planning the Rebellion's Robert and Scott CernyThere's a look that passes between brothers Robert and Scott Cerny when I interview them. It's merely a glance, but in that split second, they've communicated which of them will answer the question.

That insular fraternal bond might explain why the two left their old band - Unburdened - and formed the techno-rock duo Planning the Rebellion. "Usually, we don't agree with other people," said younger brother Scott. But they're most definitely on the same page.

Death ShipsWhen you open your copy of the River Cities' Reader to see what's being offered in the way of live entertainment, you might come to the conclusion the Quad Cities has little to provide in the way of indie rock.

But a spate of nationally recognized acts that came through the Quad Cities last year prove the vitality of the local alternative-rock scene. Wilderness, Two Gallants, Hockey Night, and The M's played here, for example, and it's hard to imagine that promoters would have booked these groups if it weren't for the local bands that built a loyal fan base for this type of music.

Grab a thick red marker and start making your summer plans to attend one (or several!) of America's premiere alternative-music festivals. Lollapalooza has signed a five-year deal with the city of Chicago, expanding the Grant Park lakeside location for the festival. This year it will be held the weekend of August 3 through 5. If getting back to the country better floats your boat, sunshine-baked Manchester, Tennessee, will host the sixth annual Bonnaroo Music & Arts Festival from June 14 to 17.

 

Reader issue #613 Year-end lists of the best albums of the past 12 months are cruel, because either you'll go bankrupt buying all these fantastic records or you'll resent how much great music you're missing because you can't afford to buy them.

I'm not typically a nice person, but these are the holidays, so my year-end list is something that most anybody can afford. I've selected and sequenced 15 favorite songs (by 15 lesser-known artists) from 2006 and - in 11 cases - provided Web addresses where you can download or at least listen to the song for free. The remainder can be purchased from iTunes (and, most likely, other download sites). And it'll all fit on a single CD (if you're still into that sort of thing).

Augie March, Augie March, Moo, You Bloody Choir. Charting number-one singles on the Australian home front, it's shocking that Augie March achieved close to no notice in the States. Elegant in its simplicity, the band's brand of rock can be compared to post-alt-country-era Wilco, but with a definite Aussie influence - think elements of Midnight Oil, but more literate. Past albums saw Augie March rushing forth like a speeding train, but this time the songs are built around acoustic, rather than electric, guitar parts, so they have a more cautious and quiet path to their destinations. From pop anthems to grandiose ballads, singer-songwriter Glenn Richards uses lyrics as instruments strung together to shimmer like violin strings or crash into one another like cymbals. While Australian critics sing the band's praises, and fans sing their songs, one can't help but wonder if we Yanks are simply mooing in the wrong bloody choir.

Hedroom HertzIf you're looking to "take a cup of kindness" this December 31, the following local venues will - to borrow some phrasing from "Auld Lang Syne" poet Robert Burns - be more than happy to fill your pint-stowp with a right gude-willie-waught. But they'll also be showcasing some of the area's most popular bands, so take a look at who's playing where, and when, and what sorts of New Year's Eve treats you can expect if you attend.

And if you decide to trek to a local eatery or watering hole on Sunday night, remember to do two things: (1) Be careful during your travels, and (2) tip your wait staff. I don't know about auld acquaintances, but those who work past midnight on New Year's Eve definitely should not be forgot.

Happy New Year from the entire Reader staff. We'll see you in '07!

Calling a CD Loose Ends is dangerous - with the implication that a band is emptying its junk drawer of songs - but for a local act that hasn't broken yet, it's downright lethal.

I had hoped that the third CD from Iowa City's Human Aftertaste would merely be misnamed, but Loose Ends is a perfectly appropriate title. There's an EP of good material on this collection, but at 45 minutes it's fatty and self-indulgent. Two versions of the cover "Goodbye Horses," a live track, and a mostly spoken-word piece drag it down, and much of the remainder is undistinguished.

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