The Metrolites - "For the People"The Metrolites' For the People draws inspiration from a wide range of music composed during the 1950s and '60s - a time when America was obsessed with space travel, the atomic bomb, and especially the motion picture.

On their second album, the Metrolites integrate themes and sounds from low-budget crime movies such as Diabolik (on "Diabolik Kriminal"), spaghetti westerns ("K Is for Kafka"), Japanese kaiju films such as Godzilla ("All Giant Monsters Attack Tokyo"), and spy flicks ("Today We Kill, Tomorrow We Spy").

AlsoTo be blunt about it, there's no way people in the Quad Cities have any reason to know of the Los Angeles-based rock band Also, performing Sunday at the Redstone Room in downtown Davenport.

Unless you listen to L.A.'s KCRW - the West Coast's premier public-radio station - it's highly unlikely you've ever heard of Also beyond promotion for the group's Quad Cities show.

The trio is a young and independent band, meaning they have no name recognition, no label, no touring support, and no airplay outside of their own market. The closest the band has been to Iowa - hell, the Midwest - was "the very nearby, adjacent city of Tempe, Arizona," said singer, guitarist, and lyricist Drew Conrad. When they aren't playing within an eight-hour drive of their home base, they go to Europe, where audiences are more open to ... well, bands they've never heard of.

Melody Mountain - Susanna & the Magical OrchestraLike "Amazing Grace" for hipster Baby Boomers, there's nothing like the lifting strains of Leonard Cohen's poetic "Hallelujah" to make me stop in my tracks and let its words wrap all around me, day or night. A four-star interpretation of this classic opens an amazing new debut, Melody Mountain, from Susanna & the Magical Orchestra, delicately breaking the air like stones tossed upon a still lake. Out this week on the import-only Rune Grammafon Records imprint, the CD is a haunting, candlelit affair - an alternative Norwegian Carpenters of sorts in a slow-motion underwater ballet, perfect for the next David Lynch movie. Vocalist Susanna Karolina Wallumrød and keyboard craftsman Morten Qvenild pitter and patter through 10 perfect - and perfectly incomprehensible - cover selections, including Depeche Mode's "Enjoy the Silence," Prince's "Condition of the Heart," AC/DC's "It's a Long Way to the Top," Sandy Denny's "Fotheringay," and Paul Stanley's "Crazy Crazy Nights" from 1987's Crazy Nights album by KISS.

Reader issue #595 The Quad Cities' Future Appletree Records is back in a big way this year, but that might create a false impression. Put simply, the label - home to some of the Quad Cities' most distinctive musical outfits - is struggling to find its place in the new music economy, even as its bands are creating some of the best music of their careers.

"Nobody's making money," said Pat Stolley, one of the label's founders.

The Multiple Cat, The Secret of the Secret of the Multiple Cat

The Multiple Cat During the mid- to late '90s, Pat Stolley's band The Multiple Cat released four albums, a multitude of singles, and a remix album. The Secret of the Secret of the Multiple Cat is a retrospective that makes use of songs from that period.

Retrospectives are made to show what made a band important. Yet often what made a band important was having those songs appear on a particular album at a particular time. Queen's "Bohemian Rhapsody" wasn't an important song simply because it was great, but because it appeared on the bestselling A Night at the Opera.

Wylde Nept "A long time ago, way back in history / When all there was to drink was nothin' but cups o' tea / Along came a man by the name of Charlie Mops / And he invented a wonderful drink and he made it out of hops."

So begins what singer Westan James cheekily calls "a very popular love ballad" entitled "Beer, Beer, Beer," perhaps the most beloved tune performed by the Cedar Rapids Celtic band Wylde Nept. The group's cover of this Irish ditty charted at number one on MP3.com's Celtic chart and number five on the Top 40 chart, and Wylde Nept musician George Curtis, for one, is happily surprised by the song's - and the band's - following.

Tenki By the time the trumpets enter the picture halfway through the opening track of Tenki's new EP, the listener has been enveloped by atmosphere. On top of muted drums and guitar come layers of gentle keyboards - and are those voices harmonizing with the organ? Hints of gull-like string sounds suggest the ocean.

The trumpets turn everything upside down, adding a mariachi flavor. Then the guitar gets agitated and begins to bellow over the trumpet, and the whole thing builds to a climax before eventually calming itself down.

Struggle in the Hive Struggle in the Hive's self-titled debut is caught in limbo - somewhere between adolescence and adulthood, wakefulness and sleep, joy and sadness, hope and loss.

Primarily a two-person project of Pat Stolley (under the name B. Patric) and Jeff Konrad (under the name Nigel Jeffrey), Struggle in the Hive is a quiet, deliberately simple collection of often fragmentary songs that at first blush seem the products of inexperienced songwriters.

Rogues Gallery Avast, maties! Pirates of the Caribbean director Gore Verbinski and his star, Johnny Depp, have come together to executive-produce a new high-seas project aimed at us music-loving landlubbers. Built around the notion of contemporary interpretations of the classic seafaring song, the pair shanghaied Hal Willner as the captain of this ship, resulting in this week's release of Rogue's Gallery: Pirate Ballads, Sea Songs, & Chanteys on the Anti Records imprint. Contributions on this two-CD set include Sting, Nick Cave, Byran Ferry, Lou Reed, Bono, Richard Thompson, Loudon Wainwright III, Joseph Arthur, Stan Ridgway, Jolie Holland, Jarvis Cocker, Bill Frisell, Baby Gramps, Lucinda Williams, and - dig this - actor John C. Reilly and gonzo artist Ralph Steadman.

 

You could say that Mark Hummel's career in the blues is rooted in ignorance. Just not his own.

Mark Hummel A few years ago, Hummel's reviews of books about harpist Little Walter and guitar legend Mike Bloomfield were published. "The main reason I started writing," he said in a recent interview, is because so many writers "didn't seem to have a whole lot of knowledge about the music." Now the noted West Coast harmonica player in the trademark porkpie hat has broadened that desire to educate as a contributing writer to the online blues magazine BluesWax (http://www.blueswax.com), where he especially enjoys interviewing musicians whom he thinks deserve more recognition.

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