Radio Birdman - Zeno Beach Two long-lost musical entities, bestowed with cult status in their eclectic corners of the rock universe, offer up all-new recordings next week - the first music either has recorded and released in more than 25 years. Australian punks had their earliest heroes in the Radio Birdman, surviving four years together in the late 1970s. After reuniting in 1996 for their homeland's Big Day Out festival, and with SubPop Records' recent "Essential" collection introducing the band to the digital generation, an American tour begins later this month in support of their new Zeno Beach CD on the Yep Roc label.

 

The Fresh MaggotsJust when I begin to think that every important album or rare out-of-print single is available somewhere in the digital mist in a glossy remastered edition or included in a fancy box set, along comes the Fresh Maggots' 1971 debut, an album that - until this week's CD reissue - consistently brought more than $400 on eBay in its original LP format. Known and coveted by connoisseurs of the psychedelic British folk sound that reaches from The Incredible String Band, Pentangle, and Bill Fay to Robyn Hitchcock, Beta Band, Devendra Banhart, and other new cosmic travelers, this five-star masterpiece of hypnotic vocals, electric fuzz guitar, trippy tin whistle, and shimmering six- and 12-string guitars is a must-seek-out aural experience. It's too bad the neighborhood planetarium isn't still running the eternal Pink Floyd laser show, as this would make the perfect seating music. Released by England's Sunbeam Records, and available on audiophile vinyl LP reissue on Germany's Soundroom imprint, these sessions capture the young duo of Mick Burgoyne and Leigh Dolphin, both 19 at the time of this recording, together in a golden, magic moment. Bonus tracks, interview introductions, and enlightening new liner notes round out the CD nicely.

Reader issue #592 Although born and raised in Chicago, Liz Carroll has found a stunning amount of success in her ancestral homeland of Ireland. In 1975, at the age of 18, the fiddler won the Senior All-Ireland Championship - the first American to win that title in nine years, she recalled in an interview last week.

And a quarter-century later, in 2001, Irish Echo named her traditional musician of the year - its highest honor.

Carroll will be one of nine main-stage acts at this weekend's Midwest Folk Festival in Bishop Hill, about 30 miles southeast of the Quad Cities. The free two-day event focuses on Midwestern talent but has an international flavor because of artists such as Carroll, who still lives in the Chicago area.

Chris Vallillo Chris Vallillo studied archeology in college, but when that didn't suit him professionally, he decided to give music a shot.

"I figured if I was going to starve, I was going to go ahead and try to play music and just see if I could make a living at it," he said in an interview last week.

But Vallillo's vocational choices aren't all that different: Both archeology and the study of folk music involve the excavation of artifacts to help illuminate the way people lived deep in the past. Vallillo - a singer, songwriter, guitarist, and folklorist based out of Macomb - is one of the main-stage performers at the Midwest Folk Festival this weekend in Bishop Hill, Illinois.

When most people hear the phrase "folk festival," they think of idealistic and liberal white people with acoustic guitars. The Midwest Folk Festival at Bishop Hill this weekend will have a few of those, but it's more of a folklore festival, highlighting ethnic and traditional arts.

So in addition to those acoustic guitars, the Midwest Folk Festival will feature Latin American music, the santur (the Iranian hammered dulcimer), the pipa (a Chinese stringed instrument), and the Irish fiddle. And its conception of "American" music is broad as well, with Delta blues, Cajun, and Creole styles.

The Kelly Richey Band If it's dark and raining this coming Tuesday, I welcome you to dig deep into the blues and huddle up to some misery-sharing company in three excellent new CDs that continue the lonesome soul tradition. My pick of the week is one of these new blues gems - Greg Brown's The Evening Call, a sinewy, wandering philosopher's masterpiece, a slow-motion, story-telling Americana diary that waltzes to the witty, pensive, poetic beat of Jack Kerouac, Bob Dylan, Tom Waits, and Todd Snider.

591_coverthumb "I'll tell you a cute little story," began Ray Voss, president of the Bix Beiderbecke Memorial Society. "There used to be an author in town, who passed away a few years ago. His name was David Collins. And he's written about 75 books - mostly for children - and he was also a teacher. Rich Johnson [the Bix society's music director] had been trying to get him to write a book about Bix, and he never wanted to do it.

"But one day in [Collins'] class, he said, 'Does anybody know who Bix Beiderbecke is?' So one kid got up and said, 'Yeah. He's the guy that's named after a run.'"

Voss then laughs, and says, in reference to 1998's Bix Beiderbecke: Jazz Age Genius, "So Dave got busy and wrote this really nice little book."

That is a cute little story.

So ...

... how many of your kids think Bix is named after a run?

 

Quad City SoundBoard logo Skepticism is often confused for cynicism, but the resistance that Quad City SoundBoard is running into seems to genuinely fall into the latter category.

SoundBoard, which was born roughly two years ago but has only solidified its organization over the past six or seven months, is a grassroots attempt to promote the local music scene. The group aims, said Vice President Tim Hobert, "to create a resource for the Quad Cities music community."

Mike Morgan & the Crawl Think about Sade, the cool and exotic British chanteuse known for "Smooth Operator." Now consider the "Texas Man" with an eye patch, Mike Morgan, whom Guitar World called "a genuine blues guitar hero" known for his incendiary playing. Mike's got all Sade's records and loves her jazz band.

And on his next album, which is currently in pre-production, "I've got one song I could really hear her recording," he said in a recent phone interview.

That's in addition to Morgan-penned numbers such as a "radio-friendly rootsy-rock song" that he and his band the Crawl have tried out live, an Otis Redding-like ballad, a couple of R&B "Al Green-ish-type things," a Louisiana-style ballad, a few shuffles, some "funky things," and "a Marvin Gaye ‘What's Goin' On' thing - I've never recorded anything like that."

A lot of 14-year-olds pick up an instrument to emulate their idols. It's just not often they choose the harpsichord.

But that's what George Shangrow did, and decades later, he's the director and founder of Orchestra Seattle and the director of the Seattle Conservatory of Music. This weekend he's performing on the piano and harpsichord as one of four musicians in the Black Hawk Chamber Music Festival.

The "Mostly Mozart Festival" celebrates the 250th birthday of the composer with two concerts each at Moline's First Congregational Church (on July 28 and 30) and Iowa City's Congregational Church (July 29 and 31).

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