Guitarist, educator, and historian Scott Ainslie will be the first artist-in-residence for the Mississippi Valley Blues Society's Blues in the Schools program for the 2012-2013 academic year.  He will visit schools in the Quad-City area during the week of October 22-26.  He will also present three open-to-the-public performances:

• Monday October 22?LeClaire Community Library (3^rd and Wisconsin, LeClaire IA), 6:00-7:00 p.m.
• Thursday October 25?River Music Experience Café (2^nd and Main, Davenport IA), 7:00-9:00 p.m.
• Friday October 26?The Muddy Waters (1708 State St. Bettendorf IA), 9:00-9:45 p.m.

In 1967, at a Mike Seeger concert at his high school outside of Washington DC, Scott Ainslie heard Virginia bluesman John Jackson (1924-2002) play a couple of songs.  Things haven't been the same since.  Scott started playing guitar a month later and has now spent nearly forty years studying and playing traditional music, visiting and documenting senior musicians in America's old-time banjo and fiddle music, blues and gospel traditions.

Drawing  on the musical  legacies  of  Delta blues  legends  Robert  Johnson  and Muddy Waters, the East  Coast's Blind Blake,  and  Durham NC's  Reverend  Gary  Davis  and Blind Boy  Fuller, Scott Ainslie  is  a  noted  performer  and  scholar  with  experience teaching elements  of African  and African-American music to  students  of  all  ages,  both  in the classroom  and  from the  stage.

With five CDs, a teaching DVD on the guitar techniques of Delta blues legend Robert Johnson, and a book on Johnson's music?Robert Johnson/At The Crossroads (Hal Leonard, 1992)?to his credit, as a performer and a teacher Scott Ainslie continues to present programs that are vital and entertaining. On the road, Scott performs and presents workshops in schools, libraries, community arts venues, colleges and festivals. He is also a respected instructor at music programs across the country and maintains an active schedule teaching guitar out of his home in Brattleboro, Vermont.

His work includes teaching concerts on the African roots of American music using live performances of blues, worksongs, gospel, jazz, and rhythm and blues to illustrate the historical and musical connections between African and American cultures.  Scott's performances always include interesting stories and anecdotes about the music that leave his audiences slyly better educated and fully entertained.

From 1986 until 2001, Scott served as a Visiting Artist in artist-in-residency programs throughout North Carolina and Virginia. Based at community colleges and serving local communities, he developed a strong educational component to his performances, seeking out the history and background of the music in order to make it moving and interesting to audiences of varying ages and backgrounds.  Performing on guitars, a one-stringed diddley bow (of African derivation) and recently, the gourd banjo and Southern old-time fiddling, Scott brings four decades of experience with traditional music and musicians to his audiences.

From community concert series and local schools to the Kennedy Center and the renowned Empire Music Hall in Belfast, Northern Ireland, Scott Ainslie plays and speaks of the music he loves with passion and authority. Combining over 30 years of scholarship and 40 playing guitar, Scott presents a beguiling mix of the African and American roots of the blues in story and song.

Ainslie's recordings include three roots-oriented acoustic blues projects, Jealous of the Moon (1995), Terraplane (1997), You Better Lie Down (2002), and a collection of Ainslie's non-blues original songs, The Feral Crow (2004)?which continues his exploration and mastery of pre-World War II guitar styles, and his current Thunder's Mouth (2008).

Major funding for Scott Ainslie's Blues in the Schools residency comes from the Riverboat Development Authority.  Thanks also to our sponsors The Iowa Arts Council, The Moline Foundation, Alcoa, The Lodge, and KALA radio.

SPRINGFIELD, IL (10/02/2012)(readMedia)-- George Campbell of Roseville retired September 30 after 40 years of service to the Illinois National Guard, 20 of those as an enlisted Soldier in the Illinois National Guard where he retired as a first sergeant. The remainder of his service was as a state building and grounds laborer for the Macomb Armory.

Born and raised in Macomb, Campbell lived very close to the armory growing up.

"This building has been a major part of my life." Campbell said. "Before I joined, I went to the high school right behind the armory and walked by the armory every day. At the time I didn't realize how much of a major role it would play in my life."

Campbell's service did not stop when he retired from the Illinois National Guard in September 1992. He continued his service to the Illinois National Guard as an Illinois state building and grounds laborer for the Macomb Armory.

"I would put the looks of this armory up against any facility, George has done a fantastic job," said Master Sgt. Christopher Carlock of Astoria, with Headquarters and Headquarters Detachment 44th Chemical Battalion.

In addition to Campbell's work at the armory, many people developed a close personal bond with Campbell and looked up to him.

"We will definitely feel a hole here with George being gone. I am personally going to miss having George here at the armory," said Carlock. "He was a spiritual leader for me and was a great friend to have around the facility."

Campbell sculpted some of the high-ranking officers that lead the Soldiers of the Illinois National Guard today. Campbell guided and mentored his troops while serving as the first sergeant for Battery B, 2nd Battalion, 123rd Field Artillery Regiment. "George, who was my first sergeant, was always there for me when I was a private," said Lt. Col. Maurice Rochelle of Flossmoor with the 404th Maneuver Enhancement Brigade. "He was instrumental in helping me become the noncommissioned officer I was with Battery B."

Campbell plans on working part-time and spending more time with his family and traveling to the southern parts of the United States to listen to southern gospel vocal groups.

Moline, IL... State Representative Rich Morthland (R-Cordova) applauds the federal government's decision today to move forward with the sale of Thomson Correctional Center from the state of Illinois to the Federal Bureau of Prisons after sitting unoccupied and unused for twelve years.

Morthland says the sale of Thomson Correctional Center is a bi-partisan victory.

"Today is a great day for northwestern Illinois. It comes as a result of hard work and cooperation from all parties involved in moving the sale forward," said Morthland.

Estimates suggest that opening the prison facility will create an additional 1,100 direct and indirect new jobs, and will inject more than $200 million per year into the economy of the surrounding counties.

"The prison will bring a new kind of skilled worker to the area and in return will provide an economic boost. Area businesses will benefit from people purchasing goods and buying homes. There is great potential here and putting the prison to use will create a positive domino effect in Carol, Whiteside, and Rock Island Counties."