LAKE FOREST, IL (09/28/2012)(readMedia)-- Lake Forest College welcomed 485 new and transfer students from 35 states and 40 countries this year. Diana Anghel, of Moline, IL, joined the Forester community this fall and is expected to graduate in 2016. Anghel was awarded an In-State Scholarship, given to well-qualified Illinois high school graduates and the Forester Reid Music Scholarship.

Anghel attended Moline Senior High School in Moline, IL.

Lake Forest College is a national liberal arts institution located 30 miles north of downtown Chicago. The College has 1,500 students representing 47 states and 78 countries. For more information visit www.lakeforest.edu.

Irwin Yablans, creator of the "Halloween" films that forever changed the genre, says the answer's easy.

"When done right, a horror movie evokes an involuntary response involving fear, excitement, repulsion and fascination," says Yablans, (www.irwinyablans.com), author of the new memoir, The Man Who Created Halloween. In it, he details his rise as a successful independent producer, sales chief for Paramount Pictures and head of Orion Pictures. His masked creepster Michael Myers, who debuted in 1978, spawned a wave of iconic horror characters, and a new way to do business in Hollywood.

"Too many commentators focus on the cost of making a film, and how much the lead actors were paid," he says. "But, from a producer's point of view, the most important money question is: Is our movie worth the $10 ticket price?"

Yablans shares his views on why we love to be horrified:

• Universal appeal: Horror will always tantalize the masses because it touches a visceral emotional response within everyone - unlike other genres. Not everyone finds the same things funny, for example, but just about everyone finds the same things scary, he says. "Horror connects on that most fundamental level. A truly frightening boogieman, a likeable protagonist and sympathetic victims puts audiences right in the shoes of the characters being chased," he says.

• The difference between horror and horrible, and fan loyalty: As a boy, Yablans grew up in a poor tenement in Williamsburg, Brooklyn, listening to radio shows that relied on "theater of the mind" narratives, which captured the imaginations of listeners. He used this approach with the Halloween film series. "Too many of today's horror films rely on blood and guts to coax gross-out responses from audiences," Yablans says. " 'Halloween' was successful, in large part, because it played more on the mind, where fear lives." Horror fans tend to give new movies the benefit of the doubt, and if the first one is good, then they'll return for parts 2 and 3, he says.

• Cost-effective: Most of the greatest horror film franchises began with modest budgets, including "Night of the Living Dead," $114,000; the first "Halloween," $320,000; "The Blair Witch Project," $35,000. Each of those movies were wildly successful, grossing millions. The "Friday the 13th" series, inspired from the success of "Halloween," has earned a worldwide total of $465 million. "There have been many failures, but the genre is one of the best bets in the film industry," he says.

• Great marketing: Yablans' legendary horror series appropriated a children's holiday, Halloween, and made it exciting for adults. "Everyone wants to be young again - at least sometimes," he says. Other successful horror franchises - "Nightmare on Elm Street," "Friday the 13th" and "Scary Movie" copied Yablans' branded approach: recognizable titles, costumes or makeup and theme music.

About Irwin Yablans

Irwin Yablans is the executive producer and creator of the "Halloween" film series, which forever changed the horror genre and the old studio system. His new autobiography, "The Man Who Created Halloween," details a true rags-to-riches tale of a boy who grew up in a roach-invested tenement in Brooklyn to become the man who transformed society's view of a children's holiday. Yablans' influence in Hollywood includes setting the standard for a new breed of independent producers and filmmakers, the discovery of famed director John Carpenter and advocating for studio support of one of the most acclaimed films in history, Francis Ford Coppola's "Apocalypse Now."

Rock Island artist Bill Marsoun will exhibit his works at the Rock Island Main Library second-floor art gallery, 401 19^th Street from Oct. 2 to 31.

Marsoun's work may be well known to local theater patrons. For the past 40 years, he has been the principal scenic artist for the Quad City Music Guild, painting full-stage scenic backdrops on canvas measuring 16 by 40 feet, as well as directing shows. "Over the years, I have worked in almost every high school and community theater in the Illinois Quad Cities," says Marsoun.

More recently, Marsoun has concentrated on a more professional approach to art, selling works on a broader scale. He enjoys working in watercolor and acrylic, painting floral scenes, landscapes and presentations of golf holes. His work is presented at Stardog Gallery in the Bucktown Arts Center in Davenport, and in a showing at Creekside Winery in Coal Valley. In December, Marsoun will show his works in Creston, Iowa. His paintings can also be seen in local pubs, vineyards and restaurants.

Marsoun taught math and art at Washington Junior High in Rock Island for 35 years, and is a graduate of Alleman High School and Illinois State University. He resides in Rock Island with his wife, Cathy.

For more news about library events and hours, visit the library website at www.rockislandlibrary.org, sign up for an email newsletter, follow the library on Facebook or Twitter, or call 309-732-7323 (READ.)

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UP BEFORE DAWN

The sun's not up yet, but I know it's cold enough outside to see my breath.   This time of year the cold of morning doesn't just sneak up on you; it grabs you in a headlock and doesn't let go until February.  That's life in Iowa.

"It's just not normal to expect kids to get up this early," whines my 15-year-old, who is, at best, stubbornly consistent in lobbying to skip before-school marching band practice.  No such luck.

My daughter is the first in five generations in my family to not grow up on a farm.   Maybe that's why I'm always quick to remind her that, yes, there are perfectly normal kids in Iowa who get up before dawn: farm kids.

There are fewer of them than you may remember; less than five percent of Iowans farm, according to the USDA 2007 Census.  But, I can guarantee that the Farm Strong work ethic hasn't changed with the passage of time.

The day-to-day business of running a farm, even in this day, requires "all hands on deck" help, and this summer's failed attempt by the Federal government to dictate how kids can work on family farms http://www.thenewamerican.com/economy/sectors/item/12024-dol-axes-rules-to-regulate-child-farm-labor proved the strength of this "Farm Strong" work ethic.

Early mornings, without complaint, were always a part of my farm life as a kid.  So I guess that's why I just had to smile and nod and give the "wind it up" signal to my teen as she pulled on her hoody and we headed for the door this morning.   Yes, it was 37 degrees.  The sun won't be up for an hour yet, but  those who do get up this early, like farmers, know the beauty of bringing in the harvest as the whole world sleeps, or seeing a new calf born, greeting its first sunrise.

As we headed out the door I reminded her that the work is hard, the hours may be long, but rewards don't come to "clock watchers."   Besides, if you sleep in, who knows what you might miss? (http://farmindustrynews.com/corn-rootworm-traits/evening-complex-proteins-help-corn-grow-taller-night ).