Emily Blunt, Jason Segel, Chris Pratt, and Alison Brie in The Five-Year EngagementTHE FIVE-YEAR ENGAGEMENT

Say what you will about the current state of movies. Yet in the history of the medium, have the actors who populate film comedies ever been as across-the-board-excellent as they are right now? It took about 20 minutes for this question to pop into my head during The Five-Year Engagement, and once it did, I'm not sure I ever stopped pondering it; from the stars to the supporting cast to the bit players who show up for all of three seconds, director Nicholas Stoller's rom-com features an embarrassment of performance riches. The movie itself? Eh, it's okay.

Jackie Earle Haley in A Nightmare on Elm StreetA NIGHTMARE ON ELM STREET

Before its title card appears, director Samuel Bayer's reboot of A Nightmare on Elm Street opens -- as these things usually do -- with a dream sequence, in which a frightened, sleep-deprived teen finds himself face to face with the scarred and monstrous personage of Freddy Krueger. Granted, the murderous apparition with the razor-blade gloves and snappy sweater-and-hat combo, last seen in 2003's Elm Street/Friday the 13th mashup Freddy Vs. Jason, hasn't been away from cineplex screens for terribly long. But Freddy's arrival should still provide both a jolt and a kick, especially with the creepy, ferrety Jackie Earle Haley taking over the role from Robert Englund, whose initially horrifying figure in Wes Craven's low-rent classic descended into camp long before the series reached (what we incorrectly presumed was) its conclusion.

Adam Sandler and Leslie Mann in Funny PeopleFUNNY PEOPLE

Leslie Mann, the wife of comedy kingpin Judd Apatow, is unfailingly awesome, and I love her in her husband's first two outings as a film writer/director: 2005's The 40-Year-Old Virgin and 2007's Knocked Up. So it pains me to say that I would've enjoyed Apatow's third auteurist venture - the current Funny People - a whole lot more if Mann's character had been excised from it completely. Of course, that would've made the movie almost a full hour shorter than it is. That would've been all right, too.

Julia Roberts and Clive Owen in Duplicity

DUPLICITY

Starting with the film's enticing prelude, which finds Julia Roberts and Clive Owen engaging in the first of several argumentative flirtations in exotic locales, I felt that Duplicity was an intensely sharp, clever, enjoyable movie. It wasn't until its very last shot, though, that I felt it was also a great one.

Katherine Heigl, Leslie Mann, Seth Rogen, and Paul Rudd in Knocked UpKNOCKED UP

A few hours before I saw the film, a friend asked if I was looking forward to Knocked Up, and as a devoted fan of writer/director Judd Apatow, I responded, only half-jokingly, that I was because "Judd Apatow is going to save movie comedy." After seeing the movie, I'm not sure there was reason to even half-joke: Judd Apatow just might save movie comedy. Over the past 10 years, there are only a handful of TV series that hold a candle to Apatow's Freaks & Greeks and Undeclared, and his directorial debut The 40-Year-Old Virgin is pretty much the current dirty/sweet-comedy standard-bearer; Knocked Up suggests that beyond being a sensational entertainer, Apatow may be that rare comic pioneer who is also (gasp!) a comedic artist.

Paul Giamatti and Bryce Dallas Howard in Lady in the WaterLADY IN THE WATER

A mysterious publicity campaign used to work in M. Night Shymalan's favor; the less you knew about his forthcoming movies, the more you wanted to see them. Now, however, a lack of pre-release information on a Shymalan project seems less about building suspense than trying to quarantine bad buzz, and, in the case of Lady in the Water, with good reason.

This might be the most hysterically inane movie of the year. This might be the most hysterically inane movie of the next several years. I'm torn between urging you to stay as far away from the film as possible and demanding that you line up to see it immediately; a cinematic goof of this magnitude is almost too priceless to miss.