Ian Brown, Nancy Terrlinck, Mike Kelly, Alexis Greene and Susan McPeters in Moon Over BuffaloOn a cold night indicative of February, weary of politicians and the weather, I escaped to Rock Island for the latest District Theatre offering Moon Over Buffalo. A Tony-nominated play that debuted on Broadway in 1995, author Ken Ludwig's farce is a comedy of silly, exaggerated humor, and probably not to every theatre-goer’s taste. But in my opinion, and judging by the belly laughs coming from Friday's opening-night audience, the humor as performed here clearly worked for a number of us.

St. Ambrose University's Commedia Dell'arte, which closed its one-weekend run on April 19 *, was like nothing I'd previously seen on a local stage. Director/writer Daniel Rairdin-Hale and composer Dillon Rairdin put together a production that felt like a sequence of sketch-comedy bits and musical numbers, but one linked by a story about a mistaken romance forbidden by two fathers. Servants step in to help the young lovers, and hilarity ensued by way of juggling, dancing, singing, the playing of instruments, and comical gags both aural and physical, with most of the actors performing in mask.

Originated in Italy in the 16th Century, the theatrical form commedia dell'arte traditionally finds a group of actors participating in a comedic scenario featuring slapstick conceits called mécanisme. And for his original commedia dell'arte presentation at St. Ambrose University, one fittingly titled Commedia Dell'arte, director Daniel Rairdin-Hale insists that he and his cast have come up with some mécanisme doozies.

The cast members in St. Ambrose University's production of Working offer a somewhat unexpected and altogether delightful sincerity in their portrayals of American workers in various trades. These young actors, after all, presumably don't have much, if any, career experience as full-time masons, receptionists, or prostitutes, among other professions. Yet they handle this musical as though possessing full knowledge of the experiences of the average worker, which, during Wednesday's dress rehearsal, helped me connect with the oftentimes funny, sometimes touching material.