Ian McKellen and Milo Parker in Mr. HolmesFriday, July 24, 10:40 a.m.-ish: It's been so long since my last quadruple-feature - a miraculous six months plus! - that I'm only mildly dreading today's, and only then because I know it's ending with Adam Sandler. It's beginning, however, with Mr. Holmes, and while I can't imagine the world needing yet another showcase for Arthur Conan Doyle's literary sleuth, I'm psyched knowing this latest iteration will reunite director Bill Condon with his Gods & Monsters star Ian McKellen and Kinsey co-star Laura Linney. Most of the movie consists of McKellen's 93-year-old Sherlock, in 1947, contending with failing memory and the haunting case that forced his retirement, while Linney's Irish housekeeper Mrs. Munro cooks and tidies up. But while several mysteries arise and are duly resolved in the film, I am distracted throughout by two unresolved questions. (1) Who is this little kid Milo Parker who plays Sherock's protégé (and Mrs. Munro's son) Roger? And (2) How is this boy giving a performance that might be topping those of the excellent McKellen and Linney?

Denzel Washington in The EqualizerTHE EQUALIZER

As he did, to great acclaim and an Oscar victory, in director Antoine Fuqua's Training Day, Denzel Washington plays a psychopath in Fuqua's new action thriller The Equalizer. And the most interesting thing about the movie - in truth, the only interesting thing about this laughably earnest, resoundingly foolish endeavor - is that none of its on- or off-screen participants seems to realize it.

Jane Levy in Evil DeadEVIL DEAD

While I like the movie just fine, I'm not enough of a fanatic for Sam Raimi's 1981 splatter classic The Evil Dead to get in a twist about the existence of director Fede Alvarez's new, definite-article-free remake Evil Dead. (It's when Hollywood inevitably remakes Raimi's priceless horror sequel Evil Dead II that we're gonna have problems.) But despite being mostly entertained by Alvarez's beyond-bloody outing, especially during its second half, I do have to question the decision to make it, for so much of its length, so bloody serious. This is a film, after all, in which a demon is released by a supernatural incantation, nail guns and electric carving knives are the weapons of choice, and one character escapes a (more-)dreadful fate by enacting a speedier version of 127 Hours. How are we not asked to laugh at all this?

Johnny Depp in Alice in WonderlandALICE IN WONDERLAND

Beginning with 2001's Planet of the Apes remake, Tim Burton has cast domestic partner Helena Bonham Carter in all six of his most recent feature films, and he's never made better use of her beguiling, somewhat perverse charisma than in his new take on Alice in Wonderland.