Friday, January 16, 10:05 a.m.-ish: My first and final quadruple feature of 2015 (yeah, right) begins with the Michael Mann thriller Blackhat, which opens with the camera racing within a computer module and deeper and deeper into the internal workings of binary code, like a burrowing reverse of Robert Zemeckis' introductory shot in Contact. At its climax, we discover that we've been watching the process by which a faraway cyber-terrorist sets off an explosion at a Chinese nuclear facility, and it's a juicy, unsettling prelude - so good, and so promising, that it probably takes longer than it should to realize the movie is goofy as hell.
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