The Harrison Hilltop Theatre's The Graduate provides a respectable amount of fun, considering that almost nothing in it makes the least bit of sense. Adapted from Charles Webb's 1963 novel and/or Mike Nichols' seminal 1967 comedy, Terry Johnson's script frequently feels like the movie version on fast-forward - the playwright clumsily barrels through both the narrative and its complex emotional transitions - and the show's tone and performance styles are all over the map. Yet considering its frequently awkward and unconvincing elements, director Wayne Hess' comedy does at least offer one truly magical ingredient in Erin Lounsberry, whose performance here is insinuating, disturbing, sexy, and richly, deeply funny.