Tom Hardy and Charlize Theron in Mad Max: Fury RoadMAD MAX: FURY ROAD

Tom Hardy plays the title character in Mad Max: Fury Road, director George Miller's continuation-slash-reboot of his legendary post-apocalyptic action series that began in 1979, and a movie boasting a central figure who might be the most powerful, intimidating, and deeply empathetic ass-kicker of 21st Century cinema. It's not Hardy, but he's pretty great, too.

Angelina Jolie in MaleficentMALEFICENT

Disney's Maleficent is director Robert Stromberg's re-imagined fairy tale told from the perspective of, and with much empathy for, the sorceress who put the "Sleeping" in Sleeping Beauty. If this is the beginning of a trend - one in which the studio, in effect, remakes its animated classics so that their evil villains are no longer evil or villainous - I can't wait to see what's in store for us next. A baby Scar who seeks vindication after other lion cubs make fun of his unfortunate birthmark? A young, svelte Ursula the Sea Witch driven to malice and gluttony when her sister is turned into caviar?

Gattlin Griffith, Josh Brolin, and Kate Winslet in Labor DayLABOR DAY

Once upon a time, in the world of writer/director Jason Reitman, there was a magical kingdom called Labor Day.

Best Actor Daniel Day-LewisSeth MacFarlane, I thought, did a fine job hosting the 85th Academy Awards ceremony. He turned out to be a fine choice for the frequently thankless Oscar-emcee position, tossing in some fine jokes in between the generally fine production numbers and mostly fine acceptance speeches ... .

I'm sorry, but I am alone in thinking that last night's telecast, in the end, was just a little too "fine"?

Logan Marshall-Green, Noopi Rapace, and Michael Fassbender in PrometheusPROMETHEUS

After many months of speculation, the question of whether Ridley Scott's Prometheus is, in fact, a prequel to the director's Alien can finally be answered: Hell yeah it is. And a good thing, too, because the enticing echoes of that 1979 sci-fi/horror essential are among the scant few elements that truly resonate in this visually extraordinary but only fitfully engaging endeavor.

Charlize Theron in Snow White & the HuntsmanSNOW WHITE & THE HUNTSMAN

The first words heard in Snow White & the Huntsman are "Once upon a time ... ," and for the next 125 minutes, the movie unfurls like a malicious, exhilarating fairytale for adults - or a bedtime story for really, really naughty kids. In an age when most screen adaptations of familiar childhood stories quickly descend into camp - either intentionally (Mirror Mirror) or unintentionally (Red Riding Hood) - the intelligence and violence and emotional hunger of debuting director Rupert Sanders' Snow White saga feel utterly welcome, and even somewhat revolutionary. By the film's finale (and I presume this isn't a spoiler), good has triumphed and evil has been vanquished, but the weight of the characters' horrific experiences hasn't been forgotten; it's clear from their serene yet exhausted expressions that while Snow White and her kingdom's subjects get their Happily Ever After, they'll more likely be living Happily, Hesitantly, Ever After.

Tom Cruise in Mission: Impossible - Ghost ProtocolMISSION: IMPOSSIBLE - GHOST PROTOCOL

A European nutjob wants to start nuclear apocalypse, and Ethan Hunt and his team want to stop him. That's my condensation of Mission: Impossible - Ghost Protocol's needlessly complex plot in fewer than 20 words. Here's a condensation of my feelings toward this third sequel in fewer than five: The movie kicks ass.

AvatarAVATAR

There are visual wonders galore in James Cameron's science-fiction epic Avatar, but what's most amazing about the film's design is how offhandedly wondrous it is.

In discussing this year's Oscar races in the picture, director, and the acting categories, we may as well begin with the nominee area audiences had the least chance of catching, as it was the only major contender yet to get an area release: Duncan Tucker's Transamerica.