An island can conjure different images – a great vacation get-away, a place of isolation, a place with a different culture and different rules – and on July 8, the Clinton Area Showboat Theatre opened South Pacific, Rogers and Hammerstein’s 1949 musical about love, World War II, and overcoming fears on two South Seas islands. One is teeming with military personal and native islanders. The other, Bali Ha’i, is mysterious, inhabited by only islanders, and out of reach by all but a few. Humans are thrown together by war in this paradise of danger, beauty and difference, and the Showboat cast gave this classic a fresh feeling, with iconic songs such as “Some Enchanted Evening,” “I’m in Love with a Wonderful Guy,” “I’m Gonna Wash That Man Right Outta my Hair,” and “There is Nothing Like a Dame” still holding up.
I wouldn't necessarily associate the titular "gourmet," which implies "high-quality" or "fancy," with the script for the Richmond Hill Barn Theatre's 100 Lunches: A Gourmet Comedy. But the production is entertaining beyond its thin plot, the two-dimensional characters and situations are at least interesting enough to warrant continued attention, and although this is yet another play that could end at intermission and still leave audiences satisfied, the second act - despite boasting a wholly dissimilar tone - proves just as appealing as the first.
South Pacific comes to us with an intimidating load of pedigreed baggage: Pulitzer Prizes, Tony Awards, Rodgers & Hammerstein. And if you add its dramatic World War II setting, its themes of interracial romance and prejudice, its enormous scenic drops and set pieces, and its cast of two dozen plus, it'd be enough for Countryside Community Theatre's current production of the piece to be impressive, and it most certainly is that.
