Aaron Eckhart in Battle: Los AngelesBATTLE: LOS ANGELES

My number-one, hands-down, love-it-to-death favorite scene in the science-fiction action spectacle Battle: Los Angeles occurs roughly 40 minutes into the film. Hundreds of meteors have fallen to earth in urban centers around the globe, and are revealed to be teeming with aliens, who waste no time in annihilating everything and everyone in their paths. After engaging in long sequences of L.A.-based retaliation, a stalwart band of Marines is helicoptered into Santa Monica to fend off one of these attacks, and a frightened lieutenant ducks into in an apartment complex's laundry room, where he watches the horrific destruction through a window. Suddenly hearing a noise behind him, the man whips around, expecting to come face-to-face with one of the monstrous invaders from another world. Yet instead of terror, the lieutenant's face quickly registers relief, as the sound he heard was just that of the washing machine's spin cycle.

You know what that means, right? That in the midst of this apocalyptic showdown that, as we've witnessed on TV newscasts, has been going on for several hours now, someone in that apartment complex decided it was a good time to throw in a load of laundry.

Anne Hathaway and Jake Gyllenhaal in Love & Other DrugsLOVE & OTHER DRUGS

In my 2009 review of the director's turgid World War II drama Defiance, I opened by asking, "Am I the only person who wishes that Edward Zwick would go back to making sharp, bitchy comedies like his 1986 Rob Lowe-Demi Moore romance About Last Night ... ?" Well, less than two years later, Zwick has returned to those romantic-comedy roots with Love & Other Drugs. Because, apparently, I needed another reminder to be careful what I wish for.

Haley Webb and Nick Zano in The Final DestinationTHE FINAL DESTINATION and HALLOWEEN II

In a somewhat odd scheduling decision, this past weekend saw the release of both The Final Destination - the fourth in the popular series of cheat-death-and-pay-the-price splatter flicks, presented (on some screens) in eyeball-gouging 3D - and Halloween II, writer/director Rob Zombie's sequel to his 2007 remake of John Carpenter's horror classic. But for fellow genre fans wondering which of the two makes for a more gratifying fright film, I'm afraid it's a draw; the former is kind of fun but mostly terrible, while the latter is kind of fascinating but almost no fun at all.