Sacha Baron Cohen in BrünoBRÜNO

Returning with a comedy in a vein similar, re-e-e-eally similar, to that of their 2006 smash Borat, director Larry Charles and co-writer/star Sacha Baron Cohen now present us with Brüno, another mock-doc based on one of Cohen's famed Da Ali G Show characters. With a storyline that you can easily summarize in three words - Borat gone gay - it's the pair's latest attempt to shock the masses into spasms of outrage and gales of uncontrollable laughter, and I'll readily admit that the movie is pretty funny, and sometimes awfully funny.

Almost FamousALMOST FAMOUS

Almost Famous, writer-director Cameron Crowe's semi-autobiographical hymn to the joys and heartbreaks of rock 'n' roll, is filled with extraordinarily lovely details and an uncanny fondness for the film's 1970s setting. It's engaging, gorgeously lit, and filled with goodwill. The things it's not are believable, challenging, or memorable. It has obviously been made with great love - Crowe spent years trying to turn his youthful experiences into a movie - and Crowe's attention to the minutiae of the rock scene is heady and alluring. But Almost Famous ends up as far less than the sum of its parts - a movie so intoxicated by its period that elements like character and conflict barely exist. Despite its look and the rave reviews being showered on it, the film itself feels empty.

Todd Louiso, John Cusack, and Jack Black in High FidelityHIGH FIDELITY

John Cusack, at his best, has made a career out of playing two disarmingly similar character types: those who feel like losers, but are actually cooler than anyone else in the room (see his roles in The Sure Thing, Say Anything..., and Grosse Pointe Blank), and those who think they're cooler than anyone else in the room, but are actually losers (The Grifters, Bullets Over Broadway, and Being John Malkovich).