Rohan Chand and Jason Bateman in Bad WordsBAD WORDS

It's not impossible to make a comedy centered on an angry, sullen, emotionally inaccessible bastard, as Oscar Isaac recently proved in Inside Llewyn Davis. In that film, however, Isaac had a Coen-brothers script and a bunch of sensational folk songs to help carry him through. In Bad Words, director/star Jason Bateman merely has a half-workable comic conceit and access to unlimited profanities. The anger, sullenness, and inaccessibility, I'm sorry to say, win out.

Chris Hemsworth and Daniel Bruhl in RushRUSH

While experiencing the technical craftsmanship of director Ron Howard's Rush, with Slumdog Millionaire cinematographer Anthony Dod Mantle working at peak ability and the sound effects and editing exquisite throughout, I was frequently tempted to say, "Wow." Too bad that the film's overall presentation more often had me asking, "Why?"