Craig Cohoon and Jordan Smith in Stocking Stuffers

'Tis the season to be … silly?

That certainly seems the case for the Playcrafters Barn Theatre's production of Stocking Stuffers. Chock full of funny characters and Christmas spirit, this show by author Geff Moyers offers everything from hip reindeer to talking stockings – a collection of sketches, with no real storyline, designed to get you in the holiday mood.

Joanna Mills, Molly Ahern, Gage McCalester, and Nathan Bates in Chitty Chitty Bang Bang

Within this review, be prepared to read the gushings of a 33-year-old man re-living a childhood story he has not experienced in probably 15 years. In re-living it, after a decade-plus of growing, there's also some disappointment in struggling to r...

ensemble members in Les MisérablesI'm on record stating that I was "Les Mis-ed out" after seeing three local productions of Les Misérables, and facing a fourth, over a year-and-a-half span. Yet after attending the Circa '21 Dinner Playhouse's version on Friday, my love for the material is renewed, as director Jerry Jay Cranford's staging adds intimacy while still possessing the grandeur of composers Alain Boublil's and Claude-Michel Schönberg's musical masterpiece.

Bill Peiffer, Robert Wamer, and Steve Marriott in Yes, Virginia, There Is a Santa ClausThe kids cast in the Playcrafters Barn Theatre's Yes, Virginia, There Is a Santa Claus are the best parts of the production, with Lena Slininger's Virginia and the rest of the children lending the proceedings a bright innocence - even when some youths are bullying Virginia about her worn-out shoes - that provides a welcome warmth to the holiday tale. Unfortunately, the kids aren't of central importance in this play that includes one of their names in the title.

Gage McCalester, Adam Mohr, and Lilo Foster in The GuardianI was willing to give the Internet Players' The Guardian a lot of leeway, accepting playwright Kevin Straus' presentation for what it is: A morality tale of environmental responsibility. While watching Thursday's performance, I could forgive Straus his plot holes and unnatural dialogue because the author managed to discuss responsible green living with no detectable attitudes of intellectual and moral superiority. And Straus had me ... until the interpretive dance in the middle of the second act.