01 Sep 2013

Labored Day Weekend: "Closed Circuit," "Instructions Not Included," "The Mortal Instruments: City of Bones," "One Direction: This Is Us," and "Getaway"

By Mike Schulz

Eric Bana and Ciaran Hinds in Closed CircuitIt's a commonly held belief, mostly because it's generally true, that no worthwhile movies open on either the last weekend of August or Labor Day weekend. So I hope I wasn't alone, among reviewers, in feeling trepidation about my most recent cineplex duties, given that this year, in a calendar rarity, those weekends were one and the same. (Would the films be twice as bad as usual? Would there be twice as many bad films to contend with?) But I'm pleased, and somewhat shocked, to report that my latest movie-going experiences weren't relentlessly grim. They were just relentlessly weird, especially considering I had the best time at the weekend's worst picture, and the lineup's most professionally rendered offering made me fall dead asleep.

13 Jun 2010

Waxing on: "The Karate Kid," "The A-Team," "Marmaduke," and "Killers"

By Mike Schulz

Jaden Smith and Jackie Chan in The Karate KidTHE KARATE KID

The opening scenes in director Harald Zwart's The Karate Kid remake, with the preternaturally confident and magnetic Jaden Smith taking over the Ralph Macchio role, are really good. But your first indication that the movie might wind up being really great - or, at the very least, a really great time - comes with its introduction of Mr. Han, the Pat Morita substitute played here by Jackie Chan.

12 Feb 2009

Eyes Wide Shut: "Coraline," "Push," and "The Pink Panther 2"

By Mike Schulz

CoralineCORALINE

Employing extraordinarily supple, nearly tactile stop-motion animation and 3D effects, the children's film Coraline is filled with visual magic, and just about corners the market on unsettling imagery. A grinning pair of parental doppelgängers, with buttons sewn into their eye sockets, serve a dinner composed of mango milkshakes and chocolate beetles. Two morbidly obese British dowagers unzip their skins and emerge as lithe trapeze artists. A feral alley cat talks, and a theatre full of mutts attends a vaudeville, and it's all strange and clever and tantalizingly designed. Is it ungrateful, if not downright senseless, to admit that I could hardly wait for this movie to end?

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