DARK SHADOWS

Dark Shadows, director Tim Burton's take on the 1966-71 gothic soap opera that remains a cult favorite, is gently satirical and totally watchable, and filled with inventive fringe touches. Led by Johnny Depp, its cast features a bunch of terrific comedians - a number of whom don't often get the chance to be comedians - and the visuals are thoroughly impressive. All told, it's probably Burton's best film, and certainly his best live-action film, in more than a decade. So why, in the end, doesn't all of that mean more than it actually does?

SHUTTER ISLAND

Shutter Island, Martin Scorsese's operatically paranoid adaptation of Dennis Lehane's 2003 suspense thriller, is easily the best movie of 2010 thus far, so it seems a bit churlish to wish that was higher praise. Don't get me wrong: Even running a wildly overlong 138 minutes, the film is mostly terrific, and one of the very rare works of its kind in which your interest actually increases during the final reels. Yet given Scorsese's glorious technical acumen and the efforts of a ridiculously gifted cast, I still left the cineplex feeling that it just missed greatness, and not even greatness along the lines of GoodFellas or The Departed - more like the genre excellence of Scorsese's 1991 remake of Cape Fear. Shutter Island is a strong, worthy offering, yet as far as this year's releases go, it's only a few degrees more satisfying than Youth in Revolt or Daybreakers. But hey, it's early - I'll happily take it.