Despicable MeDESPICABLE ME

When a computer-animated feature doesn't have the Pixar label attached to it, I tend to be grateful for whatever flashes of true cleverness I can get, and it's a pleasure to report that Despicable Me delivers hundreds, if not thousands, of these flashes. They arrive in the form our protagonist's minions, and are called Minions, and resemble canary-yellow gel capsules with functioning limbs and one or two eyes. They're also just about the cutest, silliest, funniest damned creatures that have ever waddled, bounced, and shrieked through an animated outing (excepting your own children, of course). I liked Despicable Me just fine, but I never loved the movie more than when these miniature slapstick wonders were on-screen; the Minions' boss may be a super-thief, but these goofy little buggers easily steal the show.

Julia Roberts and Clive Owen in Duplicity

DUPLICITY

Starting with the film's enticing prelude, which finds Julia Roberts and Clive Owen engaging in the first of several argumentative flirtations in exotic locales, I felt that Duplicity was an intensely sharp, clever, enjoyable movie. It wasn't until its very last shot, though, that I felt it was also a great one.

Katherine Heigl, Leslie Mann, Seth Rogen, and Paul Rudd in Knocked UpKNOCKED UP

A few hours before I saw the film, a friend asked if I was looking forward to Knocked Up, and as a devoted fan of writer/director Judd Apatow, I responded, only half-jokingly, that I was because "Judd Apatow is going to save movie comedy." After seeing the movie, I'm not sure there was reason to even half-joke: Judd Apatow just might save movie comedy. Over the past 10 years, there are only a handful of TV series that hold a candle to Apatow's Freaks & Greeks and Undeclared, and his directorial debut The 40-Year-Old Virgin is pretty much the current dirty/sweet-comedy standard-bearer; Knocked Up suggests that beyond being a sensational entertainer, Apatow may be that rare comic pioneer who is also (gasp!) a comedic artist.

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