Theo James, Shailene Woodley, and Miles Teller in InsurgentINSURGENT

As was destined to happen at my well-attended-by-teenage-girls screening of Insurgent, I heard plenty of nervous titters when Shailene Woodley and Theo James finally unzipped their faux X-Men garb and got (PG-13) busy with one another, and solemn silence during most of the rest of this tear-stained, thematically pushy action adventure. But I did hear one other occasional sound, because nearly every time Miles Teller opened his mouth for a throwaway retort or vicious insult, the girls in my crowd laughed, and were completely right to. As Teller's Peter is an eternal thorn in our heroes' sides and a grade-A prick to boot - a character you'd presume more deserving of hisses than giggles - this was somewhat surprising. It was also hugely cheering. Those teen patrons may have collectively enjoyed the rampaging mediocrity of this Divergent sequel, but they also, just maybe, recognized true greatness when they saw it.

Jackson Nicoll and Johnny Knoxville in Bad GrandpaJACKASS PRESENTS: BAD GRANDPA

This might surprise a grand total of none of you, but Bad Grandpa - which also goes by the more telling title Jackass Presents: Bad Grandpa - isn't much of a movie. The first Jackass release to feature an actual narrative, and actual characters, in place of the usual parades of comically vile, violent challenges and stunts (though there are a few of those, too), director Jeff Tremaine's road-trip slapstick is mostly shapeless and certainly obvious, and nowhere near as hilarious as you want it to be.

Yet it's also a continually interesting and, in the end, rather sweet sociological experiment reminiscent of Borat, but a Borat without the mean-spiritedness. If Sacha Baron Cohen's outing, with its Candid Camera-style employment of "real people" clearly not in on the joke, reveled in displaying how crass and ignorant Americans could be, Tremaine's suggests just how tolerant and polite we can be - and given the circumstances presented here, that's apparently mighty tolerant and polite indeed.

Naomi Watts and Tom Holland in The ImpossibleTHE IMPOSSIBLE

Juan Antonio Bayona's The Impossible, based on one family's experiences in the wake of 2004's horrific Asia tsunami, is a supremely well-designed, emotionally draining disaster tale, and its opening minutes filled me with great dread. If only that dread were caused by the approaching tsunami.

Daniel Craig in SkyfallSKYFALL

Longtime fans of the franchise can, and likely will, argue over whether Skyfall is one of the all-time best James Bond films or whether it just feels that way because it's now been six years since the last decent one. (Despite having friends who'll stump for everything from Moonraker to The World Is Not Enough, I don't know anyone who really cares for 2008's Quantum of Solace.) But here's a question that I'm not sure merits any argument: Prior to this latest adventure, has any other Bond movie looked quite so spectacular?

Before getting into what went wrong at last night's Academy Awards ceremony - and sadly, quite a bit went wrong - let's begin by addressing the one portion of the telecast that, for maybe the first time in Oscar history, went magically right.

Jason Bateman and Jennifer Aniston in The SwitchTHE SWITCH

Since it's a romantic comedy starring Jennifer Aniston that actually doesn't suck, it's temping to overrate The Switch, which opens with Aniston's Kassie preparing to be artificially inseminated, and BFF Wally (Jason Bateman) - who secretly loves her - swapping her sperm donor's donation for one of his own.

Christoph Waltz in Inglourious BasterdsINGLOURIOUS BASTERDS

Quentin Tarantino's latest is the gaudy, World War II revenge thriller Inglourious Basterds, and the (intentional) misspelling of the title is, I think, just about the only thing wrong with it.

OscarsSeriously, by the end of Hugh Jackman's opening number during the 2009 Academy Awards telecast, did it even matter if the rest of the show was any good?