17 Aug 2014

They're Getting Too Old for This S--- : "The Expendables 3"

By Mike Schulz

Sylvester Stallone in The Expendables 3THE EXPENDABLES 3

To date, Sylvester Stallone has played Rocky Balboa on-screen six times, John Rambo four times, and, with the release of The Expendables 3, Barney Ross three times. According to the Internet Movie Database, Rambo V, with Stallone writing and starring, is currently in pre-production, and Rocky is set to return in a new feature titled Creed. In other words, Sylvester Stallone is the very last man you'd want handling the remains of your beloved dead horse.

11 May 2014

A Work of Art ... I Think: "Under the Skin" and "Legends of Oz: Dorothy's Return"

By Mike Schulz

Scarlett Johansson in Under the SkinUNDER THE SKIN

Under the Skin, a dreamlike sci-fi/horror tale by director Jonathan Glazer, might just be the most fascinating, entrancing, thrilling movie I've ever seen given nearly unbearable viewing conditions.

18 Sep 2011

Near-Perfect Getaway: "Drive," "Straw Dogs," and "I Don't Know How She Does It"

By Mike Schulz

Ryan Gosling in DriveDRIVE

Drive is the first action thriller I've seen in ages in which the chases and threats and killings actually matter. Yet it's also the first movie I've seen in ages, in any genre, in which a kiss actually matters, which is a far greater surprise. Directed by Danish helmer Nicolas Winding Refn, whose work here earned him Best Director laurels at this past spring's Cannes Film Festival, the film is a sleek, exciting, and unexpectedly affecting tour de force of mood, like what you'd get if the Michael Mann of Manhunter and the David Lynch of Blue Velvet collaborated on a scrappy, grubby B-picture for drive-in audiences. I couldn't possibly mean that as a higher compliment.

27 Sep 2009

So, You Think You Can Dance? And Sing? And Act?: "Fame" and "Surrogates"

By Mike Schulz

Anna Maria Perez de Tagle, Cody Longo, Paul Iacono, Kay Panabaker, and Asher Brook in FameFAME

Not long into Kevin Tancharoen's remake of Fame, there's a brief sequence that completely underscores the difficulty - if not impossibility - of successfully updating Alan Parker's R-rated musical drama from 1980 for young audiences in 2009.

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