Kevin Babbitt and Rae Mary in On Golden Pond

After July 5's preview performance of On Golden Pond, it could be confidently asserted that Ernest Thompson's 1979 play was shaping up to be a show that Playcrafters Barn Theatre patrons would love.

Melanie Hanson in Baby with the BathwaterChristopher Durang’s irreverent Baby with the Bathwater is the current production at Scott Community College, and upon my arrival about 25 minutes prior to showtime, I enjoyed a few moments of the sweet music-box soundtrack, thinking it a clever juxtaposition to the darkly comedic farce that was to follow. However, a few minutes of it were enough for me to get the idea, and because those sounds were all that was in the offing regarding pre-show music, the next 22 minutes of waiting seemed, well, a bit long. Perhaps the music box also ignited my inner grump, because, with only a few exceptions, I did not find much comedic respite in the words and actions that followed.

Tristan Tapscott, Sara Tubbs, and Jacob Kendall in A Few Good MenWith its ornate ceiling and fascinating, borderline-gaudy hanging light fixtures in the District Theatre's new home in the former Rock Island Argus building, A Few Good Men seems an appropriate inaugural production, in that the space looks like a courtroom - at least while you're looking up. Following the company's sometimes uncomfortable (for patrons) stint in its previous, rather cramped venue, this open area with the ceiling rising two stories above the floor is a much welcome relief, allowing director Lora Adams' staging of Aaron Sorkin's courtroom drama to breathe in ways that, for the District Theatre, it otherwise couldn't have.

Sara Bolet and Amanda Dugan in God of CarnageGiven its sharply funny script, Yasmina Reza's God of Carnage is one of the few plays I could see over and over again. And while Scott Community College's presentation of this story about two sets of parents discussing a fight between their young sons doesn't quite live up to the brilliance of Reza's dark comedy, director Kevin Babbitt and his cast and crew still nail the play's most important points. That includes the necessary on-stage puking, which is just one enjoyable element in what ends up a rather humorous production.