James Ransone in Sinister 2SINISTER 2

You know the feeling you get when you go to summer camp and make a great new friend, but he/she isn't there the next summer, or the summer after that, and you end up forgetting about that friend until the next summer, when, all of a sudden, there he/she is? I don't, because I never went to summer camp. But I'm betting that sensation is similar to what I felt in the first minutes of Sinister 2 once I recognized James Ransone, who played Ethan Hawke's adorably dippy deputy pal in 2012's Sinister. Although the actor has amassed a bunch of film and TV credits since then (albeit not in anything I've seen), I can't say I've thought of him even once since the release of that low-budget horror hit. Yet the second Ransone's character showed up in director Cirián Foy's follow-up, with his chronic awkwardness and puppy-dog eyes and intense likability, it was like being reunited with a long-lost buddy whom you're ashamed to have let slip away. Ransone's presence here - as our romantic lead, no less! - was a hugely welcome surprise. That Sinister 2 didn't at all suck might've been a bigger one.

Oprah Winfrey and Forest Whitaker in Lee Daniels' The ButlerLEE DANIELS' THE BUTLER

While raving to him about Lee Daniels' The Butler - the glorious, heart-rending, hugely entertaining Civil Rights saga that may showcase the finest performance yet by star Forest Whitaker - a friend asked if it was the sort of movie that needed to be seen at the movies, or if it was something that could wait until home video. I replied that, as much as I think great films should always be seen first in as grandly scaled a format as possible, it was probably a work that wouldn't lose much in the transition from big to smaller screen. Although director Daniels' effort covers some 75 years of American history, with Whitaker portraying an eight-term White House servant over more than 50 of them, it's still a rather intimate epic boasting a mostly understated visual style, and will no doubt play just fine in home-theater settings. (Actually, after the film's "For Your Consideration" screeners are eventually sent out, I think it's going to play awfully fine in the home-theater settings of Oscar voters. My first thought on the drive home was that even though it's only August, this year's Best Picture, Director, and Actor races were already all sewn up.)

Michael Fassbender and James McAvoy in X-Men: First ClassX-MEN: FIRST CLASS

If you had told the 10-year-old me that Hollywood would one day release a series of big-budgeted, serious-minded films based on the X-Men comic books, he probably would've done cartwheels for about a week. And if you told that same mini-me that he'd one day grow almost completely apathetic toward this film series, he probably would've laughed in your face.

Angelina Jolie in SaltSALT

Leaving a recent screening of Cyrus, my friends and I noted how refreshing it was to see a movie in which, right up until its final seconds, you had no idea where events were going to lead; the creepy indie comedy could've ended with either a Happily Ever After or a vicious display of bloodletting, and neither finale would've seemed unjustified. (No spoilers here. You've still got a few days to catch it locally.) And the best I can say about director Phillip Noyce's Salt - and it's a considerable compliment - is that it, too, is totally unpredictable, a gripping, over-the-top action flick that makes you gasp and then giggle, and then giggle at yourself for gasping. Audiences seeking loud, defiantly ridiculous escapist fare should have a blast. Speaking as someone with a low tolerance for spy thrillers, stunt-heavy summer blockbusters, and (more often than not these days) Angelina Jolie, I had a pretty fantastic time myself.

Alex O'Loughlin and Jennifer Lopez in The Back-up PlanTHE BACK-UP PLAN

"All right. Let's hear your pitch."

Aaron Johnson in Kick-AssKICK-ASS

Considering that its climax finds 46-year-old actor Mark Strong beating the holy hell out of 13-year-old Chloë Grace Moretz - who was 11 during filming - I didn't hate the comic-book adaptation Kick-Ass the way I thought I would. I actually hated it in a completely different way.