Ashley Bell in The Last ExorcismTHE LAST EXORCISM

For the majority of its length, The Last Exorcism is a hell of a good time. I'd love to say that's because the movie is terrifying, but it isn't, really; the biggest jolt you're likely to experience comes in the first 20 minutes, when a teen unexpectedly hits a car's rear window with a rock. Yet until it goes seriously off the rails in its final third, director Daniel Stamm's low-tech scare flick is clever and engrossing (without being all that gross), and it boasts a protagonist who's something unique for his genre: a funny, friendly sort whom you're still aching to see get what's coming to him.

Natalie Portman, Tobey Maguire, Bailee Madison, and Taylor Geare in BrothersBROTHERS

In director Jim Sheridan's Brothers, adapted from a 2004 Danish film of the same title, a stalwart Marine captain (Tobey Maguire) is captured, tortured, and presumed dead during his fourth tour in Afghanistan. Miraculously, however, he survives the ordeal, only to return home convinced - and not entirely without reason - that his loving wife (Natalie Portman) is sleeping with his ex-con brother (Jake Gyllenhaal). Even if the movie weren't a remake, this wouldn't exactly be the most inventive of plotlines, but there's still enough about Brothers that's raw, painful, and touching to make it satisfying melodrama regardless of its contrived design. Or rather, there would be, if you weren't so frequently distracted by all the capital-A Acting that's going on.

Fantastic Mr. FoxFANTASTIC MR. FOX

Film scholars widely agree that 1939 remains the strongest year ever for American movies. But I'm starting to think that, as the decades pass, 2009 might be seen as a comparable year for animated movies.

In discussing this year's Oscar races in the picture, director, and the acting categories, we may as well begin with the nominee area audiences had the least chance of catching, as it was the only major contender yet to get an area release: Duncan Tucker's Transamerica.