St. Ambrose University's Commedia Dell'arte, which closed its one-weekend run on April 19 *, was like nothing I'd previously seen on a local stage. Director/writer Daniel Rairdin-Hale and composer Dillon Rairdin put together a production that felt like a sequence of sketch-comedy bits and musical numbers, but one linked by a story about a mistaken romance forbidden by two fathers. Servants step in to help the young lovers, and hilarity ensued by way of juggling, dancing, singing, the playing of instruments, and comical gags both aural and physical, with most of the actors performing in mask.

Originated in Italy in the 16th Century, the theatrical form commedia dell'arte traditionally finds a group of actors participating in a comedic scenario featuring slapstick conceits called mécanisme. And for his original commedia dell'arte presentation at St. Ambrose University, one fittingly titled Commedia Dell'arte, director Daniel Rairdin-Hale insists that he and his cast have come up with some mécanisme doozies.