As much as I love theatre-in-the-round, I recognize that not all plays work in a 360-degree environment. Take, for instance, Noises Off, the current offering at the Richmond Hill Barn Theatre. A farcical comedy about the staging of a play (within the play) titled Nothing On, the show's second act offers, essentially, a view of the first act's goings-on seen from backstage, and the production's set is typically turned 180 degrees during the intermission to allow for that behind-the-scenes look. Consequently, prior to Thursday's performance at the Barn, I was baffled as to how director Jalayne Riewerts would pull off, in the round, this production of author Michael Frayn's farce. She does it, it turns out, by not staging the piece in the round.

At the end of Act I at Saturday's Clinton Area Showboat Theatre presentation of Noises Off, the couple sitting next to me said they weren't going to stay for the remainder of the play. (They, along with the rest of the audience, hadn't laughed all that much during the first portion of this comedy.) Apparently, however, the two changed their minds during intermission and did stay - and it was a good choice, as the show grew progressively funnier over the next two acts.