To paraphrase one of Big River's best-known lyrics, I've been waitin' for the men to shine on the Clinton Area Showboat Theatre stage all summer long. In my estimation, and with the exception of a few notable performances - Antwaun Holley in Rent, Michael Oberfield in Show Boat - the male actors haven't really held their own against the female actors this season. That is, until Big River; on Saturday night, every single male performer in Mark Twain's boy-centric tale of Huck Finn offered a noteworthy performance.

Jennifer Noble is in the wrong role in the Clinton Area Showboat Theatre's production of Show Boat. That's to say, she's so good in the role of Julie that the part seems woefully small. It is, however, impossible for Jerome Kern and Oscar Hammerstein II to write more songs and dialogue for the character, so we must be content to enjoy what we can during Noble's time on stage. And enjoy it I did. Immensely.

"I think my forte is storytelling. I just like to pretend. And any experience that I have where I believe the actor or actors are as close to pretending as possible? That's what gets me off, man. To me, that's what acting's all about." -- Tom Walljasper

(Warning: Though I've tried to be circumspect, details on Scotland Road's mysteries may slip out. Proceed with caution.)

The psychological drama Scotland Road, the first production in New Ground Theatre's 2005-6 season, is both entertaining and disheartening - entertaining because of the skill of director Michael Oberfield and his cast, disheartening because playwright Jeffrey Hatcher's work doesn't quite seem to deserve their skill.