When the Game Stands TallWHEN THE GAME STANDS TALL

Inspirational sports dramas, particularly inspirational high-school-sports dramas, can boast many virtues, and even the crummier ones can be a lot of fun. But one thing they're not generally known for is surprise, which is why it's all the more flabbergasting that When the Game Stands Tall has such a doozy of one at its center: the leading performance, and maybe the finest one yet, by Jim Caviezel. Director Thomas Carter's football saga is actually pretty terrific for a number of reasons. Yet despite working within a formula, and with the type of role, in which beats and arcs so often feel preordained, Caviezel provides one happy surprise after another, principally - and misleadingly - by appearing to do next to nothing at all.

Rohan Chand and Jason Bateman in Bad WordsBAD WORDS

It's not impossible to make a comedy centered on an angry, sullen, emotionally inaccessible bastard, as Oscar Isaac recently proved in Inside Llewyn Davis. In that film, however, Isaac had a Coen-brothers script and a bunch of sensational folk songs to help carry him through. In Bad Words, director/star Jason Bateman merely has a half-workable comic conceit and access to unlimited profanities. The anger, sullenness, and inaccessibility, I'm sorry to say, win out.

Mireille Enos and Brad Pitt in World War ZWORLD WAR Z

Beginning with the fact that it's directed by Marc Forster - a competent-enough craftsman whose previous works (including Finding Neverland, The Kite Runner, and the deadening James Bond entry Quantum of Solace) have hardly been known to quicken one's pulse - practically everything about the suspenseful and exciting zombie chiller World War Z feels a little bit off, and that's what I liked about it.