Director Paul Workman deserves high praise for making the Playcrafters Barn Theatre's Titanic Aftermath at all watchable, particularly as the boat is sinking in the second act. Throughout Friday's performance, I kept thinking that playwright Michael Wehrli's script was a fantastic historical account, but also kept wondering, "Why is it a stage play?" With so much action described, and so little played out visually, especially during the first act, this piece might as well be a radio drama, or the script for a documentary on the Titanic. As a theatrical production, however, Wehrli's work is ... well, rather boring.
As Oregon-based playwright Michael Wehrli is the author of Titanic Aftermath - the historical drama being staged at Moline's Playcrafters Barn Theatre May 11 through 20 - I initially presume that he's seen James Cameron's Oscar-winning movie. In our April 25 phone interview, he tells me he has, and that it was even the inspiration for his play.
As Ouiser Boudreaux, the easily agitated Southern matriarch with the permanently fixed scowl and "more money than God," Dee Canfield enters the Green Room Theatre's production of Steel Magnolias as though shot through a cannon.







